{"title":"Adolfo Hohenstein Prints","description":"\u003cp\u003eFine art prints by Adolfo Hohenstein (German-Italian, 1854–1928). Every work in our Adolfo Hohenstein collection is printed to order. Adolfo Hohenstein's work belongs to Art Nouveau. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"adolfo-hohenstein-fons-vitae-esposizione-digiene-napoli-vintage-poster-print","title":"Adolfo Hohenstein — Fons Vitae: Esposizione d'Igiene, Napoli | Vintage Poster Print","description":"\u003cp\u003eA woman stands at the top in pale drapery holding an infant, while two men crouch below at a dark pool, one dipping a shallow bowl and the other drinking from cupped hands. A peacock with its tail fanned stands at the right, and a branch of gold blossom curls across the deep blue top. A scrolled cartouche in the middle carries the motto Fons Vitae. Signed A. Hohenstein; the lettering announces the 1900 hygiene exhibition at Naples.\u003c\/p\u003e\u003cp\u003eAdolfo Hohenstein (1854–1928) is often called the father of the Italian poster. Born in St Petersburg to German parents, he settled in Milan and in 1889 became artistic director of the Officine Grafiche Ricordi, where he trained a generation of designers including Leopoldo Metlicovitz. His posters for Puccini's La Bohème and Tosca and Mascagni's Iris, and for Campari, Corriere della Sera and Il Resto del Carlino, brought the flowing line of the Stile Liberty to Italian streets. He returned to Germany in the early 1900s.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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She holds a small cross in one hand. A red ground with dark grey shapes surrounds them, and a thin red snake winds through the large title letters at the foot. Signed A. Hohenstein with the date 99; the lettering names Puccini's opera Tosca.\u003c\/p\u003e\u003cp\u003eAdolfo Hohenstein (1854–1928) is often called the father of the Italian poster. Born in St Petersburg to German parents, he settled in Milan and in 1889 became artistic director of the Officine Grafiche Ricordi, where he trained a generation of designers including Leopoldo Metlicovitz. His posters for Puccini's La Bohème and Tosca and Mascagni's Iris, and for Campari, Corriere della Sera and Il Resto del Carlino, brought the flowing line of the Stile Liberty to Italian streets. He returned to Germany in the early 1900s.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. 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Beyond him another rider in red and a third in a dark coat lean down toward a tray of glasses against a golden-yellow ground, inside a brown border. Signed Hohenstein; the lettering advertises Elixir de Kempenaar, Antwerp.\u003c\/p\u003e\u003cp\u003eAdolfo Hohenstein (1854–1928) is often called the father of the Italian poster. Born in St Petersburg to German parents, he settled in Milan and in 1889 became artistic director of the Officine Grafiche Ricordi, where he trained a generation of designers including Leopoldo Metlicovitz. His posters for Puccini's La Bohème and Tosca and Mascagni's Iris, and for Campari, Corriere della Sera and Il Resto del Carlino, brought the flowing line of the Stile Liberty to Italian streets. He returned to Germany in the early 1900s.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. 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Above him a pewter tankard tips over sealed letters and a quill on a cut-off yellow shield. Huge red lettering outlined in black spells the opera title across the top, over blue-grey and green washes. Signed Hohenstein; the lettering names Verdi's Falstaff, published by Ricordi.\u003c\/p\u003e\u003cp\u003eAdolfo Hohenstein (1854–1928) is often called the father of the Italian poster. Born in St Petersburg to German parents, he settled in Milan and in 1889 became artistic director of the Officine Grafiche Ricordi, where he trained a generation of designers including Leopoldo Metlicovitz. His posters for Puccini's La Bohème and Tosca and Mascagni's Iris, and for Campari, Corriere della Sera and Il Resto del Carlino, brought the flowing line of the Stile Liberty to Italian streets. 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