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Faint lettering from the reverse of the page shows through in the top margin.\u003c\/p\u003e\u003cp\u003eFor Fludd the black square represented the \u003cem\u003eprima materia\u003c\/em\u003e, the beginning of all creation. Tate Etc. calls it the best-known early example of black joined to geometric form, and sees Kazimir Malevich's \u003cem\u003eBlack Square\u003c\/em\u003e, painted almost three hundred years later, as \"a distant echo of Fludd's pictorial creation myth\".\u003c\/p\u003e\u003cp\u003eThe original: an engraved plate in the first volume of Fludd's \u003cem\u003eUtriusque Cosmi Historia\u003c\/em\u003e, published in Oppenheim by Johann Theodor de Bry in 1617.\u003c\/p\u003e\u003cp\u003eRobert Fludd (1574–1637) was an English physician, astrologer, and Rosicrucian cosmologist whose elaborate engraved diagrams — published in his monumental \u003cem\u003eUtriusque Cosmi\u003c\/em\u003e (1617–1621) — constitute one of the most visually ambitious works of Western esotericism. 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The upper half carries the Latin title and contents in fine roman type, framed by billowing engraved cloud; a small winged genius strides across the clouds at the right, drawing a cord. The lower half is given to the great diagram itself: a nude man stands spread-eagled at the centre of concentric rings inscribed \u003cem\u003eMacrocosmus\u003c\/em\u003e and \u003cem\u003eMicrocosmus\u003c\/em\u003e, the bands around him lettered with the elements, humours and celestial spheres, so that the body and the cosmos are read as one measured instrument. Oppenheim, 1617.\u003c\/p\u003e\u003cp\u003eRobert Fludd (1574–1637) was an Oxford-trained physician, Paracelsian, Rosicrucian apologist and cosmologist whose great illustrated volumes attempted to diagram the entire relationship between God, the cosmos and the human body. Kepler argued with him in print. His engravings remain the most beautiful visual arguments Hermetic philosophy ever produced.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Behind him an old bearded king in gold floats in a purple river, arms raised, under a sun with a face. Putti clamber over the pediment, one at the corner holding a trident; another climbs the left column with an arrow. A leaf from the Berlin manuscript of Splendor Solis, painted around 1531–32.\u003c\/p\u003e\u003cp\u003eThe original: opaque colour and gold on parchment, about 1531–32, Kupferstichkabinett, Staatliche Museen zu Berlin.\u003c\/p\u003e\u003cp\u003eSplendor Solis, the Splendour of the Sun, is an illuminated German alchemical treatise in seven parts, attributed to Salomon Trismosin, a shadowy figure said to have taught Paracelsus, whose name is probably a pseudonym. Its 22 painted images, set in ornamental borders like a book of hours, follow the alchemical death and rebirth of the king through planetary figures, a philosophical tree, a hermaphrodite, black and red suns and flasks in which birds and beasts are transformed. 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A cloak whips around his hips, and inside his swollen belly a small infant lies curled. Behind him spread a bay with a sailing boat, a ruined tower and a hilltop town. In the book it is headed by the Latin motto Portavit eum ventus in ventre suo. From Michael Maier's alchemical emblem book Atalanta Fugiens, 1618, engraved by Matthäus Merian.\u003c\/p\u003e\u003cp\u003eThe original: engraving in Atalanta Fugiens, Oppenheim, 1618, Wellcome Collection, London.\u003c\/p\u003e\u003cp\u003eMichael Maier (1568–1622) was a German physician, alchemist and author, born in Rendsburg in Holstein, who took a doctorate in medicine at Basel in 1596. In 1609 he became physician and counsellor to the Emperor Rudolf II in Prague, who made him a count palatine, and he later spent several years in England before settling in Frankfurt. 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A winged Cupid sits beside them at right, one arm raised over his head. Wooded hills rise on both sides under a streaked sky. Its Latin motto in the book begins Rebis, ut Hermaphroditus. From Michael Maier's alchemical emblem book Atalanta Fugiens, 1618, engraved by Matthäus Merian.\u003c\/p\u003e\u003cp\u003eThe original: engraving in Atalanta Fugiens, Oppenheim, 1618, Wellcome Collection, London.\u003c\/p\u003e\u003cp\u003eMichael Maier (1568–1622) was a German physician, alchemist and author, born in Rendsburg in Holstein, who took a doctorate in medicine at Basel in 1596. In 1609 he became physician and counsellor to the Emperor Rudolf II in Prague, who made him a count palatine, and he later spent several years in England before settling in Frankfurt. 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A man in black climbs a ladder into its branches, where a woven basket hangs, and two bearded men in long robes stand beside it, one holding up a bare sprig while the other reaches toward the leaves. Birds wheel across the blue sky above. Below the scene, figures bathe in a blue pool beside a bronze fountain while two women in yellow and red carry dark dishes. This leaf comes from the Berlin manuscript painted in 1531–32.\u003c\/p\u003e\u003cp\u003eThe original: opaque colour on parchment, 1531–1532, Kupferstichkabinett, Staatliche Museen zu Berlin.\u003c\/p\u003e\u003cp\u003eSplendor Solis, the Splendour of the Sun, is an illuminated German alchemical treatise in seven parts, attributed to Salomon Trismosin, a shadowy figure said to have taught Paracelsus, whose name is probably a pseudonym. 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At the top the three Hesperides stand in a garden around a many-headed dragon; at the left Hercules shoulders his club, and at the right Venus hands an apple to Hippomenes. Below, Hippomenes runs holding apples while Atalanta stoops to pick one up, two lions prowl beyond a fence and a small domed temple shelters an embracing couple. The imprint reads Oppenheim, Johann Theodor de Bry, 1618.\u003c\/p\u003e\u003cp\u003eThe original: engraving, 1618, Wellcome Collection, London.\u003c\/p\u003e\u003cp\u003eMichael Maier (1568–1622) was a German physician, alchemist and author, born in Rendsburg in Holstein, who took a doctorate in medicine at Basel in 1596. In 1609 he became physician and counsellor to the Emperor Rudolf II in Prague, who made him a count palatine, and he later spent several years in England before settling in Frankfurt. His best-known book, Atalanta Fugiens, published by Johann Theodor de Bry at Oppenheim in 1617 and again in 1618, is an alchemical emblem book of fifty emblems, each combining an engraving by Matthäus Merian the Elder with an epigram, a prose discourse and a fugue for three voices. He died in Magdeburg. Copies of the book are held by the Wellcome Collection and the Science History Institute.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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At the centre hangs the globe of the earth, its lands drawn in fine hatching, and from its far side a dark cone of shadow reaches the lower right corner, dotted with small white stars; a small moon floats just outside it. Arcs of stars sweep round the edges. The forty-fifth emblem of Michael Maier's Atalanta Fugiens, 1618.\u003c\/p\u003e\u003cp\u003eThe original: engraving, 1618, Wellcome Collection, London.\u003c\/p\u003e\u003cp\u003eMichael Maier (1568–1622) was a German physician, alchemist and author, born in Rendsburg in Holstein, who took a doctorate in medicine at Basel in 1596. In 1609 he became physician and counsellor to the Emperor Rudolf II in Prague, who made him a count palatine, and he later spent several years in England before settling in Frankfurt. 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Two eagles swoop in from either side, talons reaching for his open hands. Behind him the water stretches to a town with domes and towers at the right, a sailing boat at the left and pale mountains under banks of cloud. The book's epigram names him as Jupiter, said to have sent twin eagles east and west to find the centre of the world.\u003c\/p\u003e\u003cp\u003eThe original: engraving, 1618, Wellcome Collection, London.\u003c\/p\u003e\u003cp\u003eMichael Maier (1568–1622) was a German physician, alchemist and author, born in Rendsburg in Holstein, who took a doctorate in medicine at Basel in 1596. In 1609 he became physician and counsellor to the Emperor Rudolf II in Prague, who made him a count palatine, and he later spent several years in England before settling in Frankfurt. 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The earliest copy, painted on vellum in 1531–32 and linked by its museum to painters of Nuremberg and Augsburg, is in the Kupferstichkabinett in Berlin; a copy of 1582 is in the British Library. Watercolour copies of the London pages, painted by Edith Ibbs around 1907, are held by the Wellcome Collection.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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