{"title":"Arnold Böcklin Prints","description":"\u003cp\u003eFine art prints by Arnold Böcklin (Swiss, 1827–1901). Every work in our Arnold Böcklin collection is printed to order. Arnold Böcklin's work belongs to Symbolism. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"arnold-bocklin-the-isle-of-the-dead-88312","title":"Arnold Böcklin — The Isle of the Dead | Symbolist Fine Art Print","description":"\u003cp\u003eThe composition took its familiar form in 1880, when the patron Marie Berna saw an unfinished canvas in the Florence studio of the artist and commissioned a painting from it as a memorial to her late husband; at her request Böcklin added the draped coffin and the shrouded figure in the rowing boat. Between 1883 and 1886 he painted three more versions, each slightly different. The image was reproduced so widely that a copy was said to hang in every middle-class home in Germany.\u003c\/p\u003e\u003cp\u003eArnold Böcklin (1827–1901) was a Swiss Symbolist painter whose \u003cem\u003eIsle of the Dead\u003c\/em\u003e (1880, in five versions) became one of the defining images of 19th-century Symbolism — a vision of funerary mystery so compelling that it was owned by Sigmund Freud, inspired Rachmaninoff's orchestral tone poem, and influenced the Surrealists. Working in Munich, Rome, and Florence, he produced mythological and allegorical paintings of elemental power — centaurs, mermaids, Cyclopes, and allegories of death — that established the visual language of Germanic Symbolism and anticipate the dream imagery of de Chirico and Dalí.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in solid wood with low-reflection glazing, or unframed. 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Two black cypresses lean against the sky behind it, and a scattered flock of birds turns overhead as a shaft of pale storm light breaks through the grey cloud from the upper left. Böcklin returned to the ruin-by-the-sea motif again and again through the 1870s and 1880s — the same brooding stillness that made \u003cem\u003eThe Isle of the Dead\u003c\/em\u003e the most reproduced painting in Europe.\u003c\/p\u003e\u003cp\u003eArnold Böcklin (1827–1901) was a Swiss painter whose brooding mythological landscapes made him the presiding spirit of German Symbolism. His \u003cem\u003eIsle of the Dead\u003c\/em\u003e hung in Freud's consulting room, Lenin's apartment and Hitler's Chancellery alike; Rachmaninoff wrote a tone poem about it. He painted ruins, tritons and cypresses as if they were memories rather than inventions.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. 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