{"title":"Berthe Morisot Prints","description":"\u003cp\u003eFine art prints by Berthe Morisot. Every work in our Berthe Morisot collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"berthe-morisot-at-the-edge-of-the-forest-edma-and-jeanne-fine-art-print","title":"Berthe Morisot — At the Edge of the Forest (Edma and Jeanne) | Fine Art Print","description":"\u003cp\u003eA young woman in a long white dress sits in the grass at the foot of the trees, legs stretched out to the left, a black shoe at the hem. She wears a white hat with a black bow over auburn hair and looks to the left. Beside her sits a fair-haired child in a wide straw hat and a white dress with a black bow at the chest. Pale grey trunks rise through loose washes of green. The title names the two sitters, Edma and Jeanne.\u003c\/p\u003e\u003cp\u003eThe original: watercolor and graphite on paper, c. 1872, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eBerthe Morisot (1841–1895) was a French painter and printmaker, born in Bourges, the daughter of a senior government official. Barred from formal academic training, she was taught privately, copied at the Louvre and from 1862 worked under the guidance of Camille Corot. She exhibited at the Salon from 1864, then joined the first Impressionist exhibition in 1874 and showed in all but one of the group's eight exhibitions. That year she married Eugène Manet, brother of her friend Édouard Manet. Her subjects were women, children and private domestic moments, among them The Cradle (1872), Reading (1873) and Woman at Her Toilette (1875–80). 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Her subjects were women, children and private domestic moments, among them The Cradle (1872), Reading (1873) and Woman at Her Toilette (1875–80). Her paintings are held by the Musée d'Orsay, the Cleveland Museum of Art and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Her subjects were women, children and private domestic moments, among them The Cradle (1872), Reading (1873) and Woman at Her Toilette (1875–80). Her paintings are held by the Musée d'Orsay, the Cleveland Museum of Art and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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