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Signed and dated 1900 at lower left.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1900, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eCamille Pissarro (1830–1903) was a painter and printmaker born on St Thomas in the Danish West Indies to a Jewish merchant family of French and Portuguese descent. He settled in France in 1855, where Camille Corot encouraged him to paint from nature, and worked for years around Pontoise and Louveciennes. He was the only artist to show in all eight Impressionist exhibitions. In his fifties he took up Georges Seurat's dotted technique for a time, and in the 1890s, when an eye infection kept him indoors, he painted series of Paris boulevards and gardens from hotel windows. Paul Cézanne and Paul Gauguin both worked beside him. 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Behind her the mown field is dotted with young trees, and three more figures work in the middle distance. A dense line of trees and a few roofs close the view under a pale sky of cream, lilac and blue. The whole surface is built of small, crisp strokes of green, yellow and violet. Signed and dated 1892 at lower left.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1892, Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003eCamille Pissarro (1830–1903) was a painter and printmaker born on St Thomas in the Danish West Indies to a Jewish merchant family of French and Portuguese descent. He settled in France in 1855, where Camille Corot encouraged him to paint from nature, and worked for years around Pontoise and Louveciennes. He was the only artist to show in all eight Impressionist exhibitions. In his fifties he took up Georges Seurat's dotted technique for a time, and in the 1890s, when an eye infection kept him indoors, he painted series of Paris boulevards and gardens from hotel windows. Paul Cézanne and Paul Gauguin both worked beside him. His paintings are held by the Musée d'Orsay, the Metropolitan Museum of Art and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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