{"title":"Charles M. Russell Prints","description":"\u003cp\u003eFine art prints by Charles M. Russell. Every work in our Charles M. Russell collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"charles-m-russell-in-the-enemys-country-western-art-print","title":"Charles M. Russell — In the Enemy's Country | Western Art Print","description":"\u003cp\u003eKootenai men lead their horses across a grassy rise, buffalo robes laid fur side up over the animals' backs so that from a distance the party reads as a small herd. The front man, his chest painted with blue chevrons and a feather in his hair, carries a lance; behind him a man wears a wolf-skin headdress. Pink-edged clouds pile over a flat-topped butte and a wide valley of golden grass, where more figures lead horses in the distance.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1921, Denver Art Museum.\u003c\/p\u003e\u003cp\u003eCharles M. Russell (1864–1926) was an American painter, sculptor and writer. Born in St. Louis, Missouri, he reached Montana's Judith Basin in 1880, aged sixteen; the hunter Jake Hoover taught him wilderness life, and for eleven years he worked as a night herder for cattle outfits, sketching cow-camp life by day. His watercolour Waiting for a Chinook recorded the hard winter of 1886–87. In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Russell — The Scout | Western Illustration Print","description":"\u003cp\u003eA long-haired scout stands with one hand on his hip and a rifle held upright in the other, wearing a wide hat, a fringed buckskin shirt worked with scrolls, a cartridge belt with a holster, and decorated fringed leggings over moccasins. Below, a small vignette shows a man with a rifle stooping behind a rise and peering toward a line of distant lodges on the plain, a saddled horse waiting behind him. The title is printed at lower left. The drawing was published as a printed plate.\u003c\/p\u003e\u003cp\u003eCharles M. Russell (1864–1926) was an American painter, sculptor and writer. Born in St. Louis, Missouri, he reached Montana's Judith Basin in 1880, aged sixteen; the hunter Jake Hoover taught him wilderness life, and for eleven years he worked as a night herder for cattle outfits, sketching cow-camp life by day. His watercolour Waiting for a Chinook recorded the hard winter of 1886–87. 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His watercolour Waiting for a Chinook recorded the hard winter of 1886–87. In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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His watercolour Waiting for a Chinook recorded the hard winter of 1886–87. In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Russell — Blackfeet War Party | Western Art Print","description":"\u003cp\u003eA war party of Blackfeet riders gallops to the right across a pale, dusty plain, lances and feathered staffs raised above them. At the centre a bare-chested leader in a long feathered war bonnet and bone breastplate rides a grey horse, a painted shield at his side; another shield painted with a sunburst hangs beside a red-and-white pinto beyond. A buckskin horse leads at the front, and fainter riders fade into the dust behind. Washes of ochre, grey and soft blue. Signed CMRussell with a bison skull lower left.\u003c\/p\u003e\u003cp\u003eCharles M. Russell (1864–1926) was an American painter, sculptor and writer. Born in St. Louis, Missouri, he reached Montana's Judith Basin in 1880, aged sixteen; the hunter Jake Hoover taught him wilderness life, and for eleven years he worked as a night herder for cattle outfits, sketching cow-camp life by day. His watercolour Waiting for a Chinook recorded the hard winter of 1886–87. In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Russell — Before the White Man Came | Western Art Print","description":"\u003cp\u003ePainted in sepia and grey, a party of five riders pauses on a grassy ridge above a wide valley. The leftmost, on a paint horse, points out across the plain; beside him a rider on a white horse carries a round shield and a feathered lance. Below, a long herd of buffalo streams across the valley floor, with pronghorn and antlered deer nearer the slope. More riders file in from the right, and a bleached buffalo skull lies in the foreground grass. Signed and dated 1897 lower left.\u003c\/p\u003e\u003cp\u003eCharles M. Russell (1864–1926) was an American painter, sculptor and writer. Born in St. Louis, Missouri, he reached Montana's Judith Basin in 1880, aged sixteen; the hunter Jake Hoover taught him wilderness life, and for eleven years he worked as a night herder for cattle outfits, sketching cow-camp life by day. His watercolour Waiting for a Chinook recorded the hard winter of 1886–87. In the summer of 1888 he lived near Blood, Piegan and Blackfoot camps in Alberta, which shaped his pictures of Plains life. From 1896 his wife, Nancy Cooper Russell, managed his career. His work is held by the C.M. Russell Museum, the Amon Carter Museum of American Art and the Buffalo Bill Center of the West.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.\u003c\/p\u003e","brand":"9ArtPrints","offers":[{"title":"Unframed - Hahnemühle Paper \/ Accent - 12x18 in \/ 30x45 cm","offer_id":67592165622074,"sku":"PRE-CHAM-UNFACC-QU5Q","price":165.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67592167227706,"sku":null,"price":220.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Statement - 20x28 in \/ 50x70 cm","offer_id":67592167260474,"sku":null,"price":275.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67592167293242,"sku":null,"price":385.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Collector's Edition - 40x60 in \/ 100x150 cm","offer_id":67592167326010,"sku":null,"price":1650.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Accent - 12x18 in \/ 30x45 cm","offer_id":67592167358778,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67592167391546,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Statement - 20x28 in \/ 50x70 cm","offer_id":67592167424314,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67592167457082,"sku":null,"price":2750.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Accent - 12x18 in \/ 30x45 cm","offer_id":67592167489850,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67592167522618,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Statement - 20x28 in \/ 50x70 cm","offer_id":67592167555386,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67592167588154,"sku":null,"price":2750.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Accent - 12x18 in \/ 30x45 cm","offer_id":67592167620922,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67592167653690,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Statement - 20x28 in \/ 50x70 cm","offer_id":67592167686458,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67592167719226,"sku":null,"price":2750.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Accent - 12x18 in \/ 30x45 cm","offer_id":67592167751994,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67592167784762,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Statement - 20x28 in \/ 50x70 cm","offer_id":67592167817530,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67592167850298,"sku":null,"price":2750.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/6920\/3514\/files\/Before-the-White-Man-Came-by-Charles-M.-Russell.jpg?v=1790604865"}],"url":"https:\/\/9artprints.com\/collections\/charles-m-russell-prints.oembed","provider":"9ArtPrints","version":"1.0","type":"link"}