{"title":"Charles Meryon Prints","description":"\u003cp\u003eFine art prints by Charles Meryon. Every work in our Charles Meryon collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"charles-meryon-le-stryge-the-vampire-etching-print","title":"Charles Meryon — Le Stryge (The Vampire) | Etching Print","description":"\u003cp\u003eA horned, winged stone chimera leans on a balustrade with its chin in its hands and its tongue pushed out, gazing over the rooftops of Paris. Beyond it a tall Gothic tower rises above tightly packed houses, and black birds wheel across the clouded sky, four swooping close past the parapet. The view is set in an oval, and two lines of French verse in Gothic lettering run beneath it.\u003c\/p\u003e\u003cp\u003eCharles Meryon (1821–1868) was a French etcher whose Eaux-fortes sur Paris (1850–54) recorded the old city before Haussmann's rebuilding. Le Stryge (1853), with the horned chimera of Notre-Dame leering over the rooftops, is his most famous plate. His haunted vision of Paris was admired by Baudelaire and Victor Hugo.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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On the quay below, two men carry a limp figure up from the river, a dog at their heels, while a woman in black and a small child follow. A man in a cocked hat points them toward the doorway, and onlookers line the parapet above. Covered wash boats with hanging laundry crowd the water along the bottom.\u003c\/p\u003e\u003cp\u003eThe covered boats along the river are bateaux-lavoirs, floating wash houses where laundresses paid for a place to do their washing. Meryon was drawn to them as part of a Paris that was changing around him; city administrators thought them unsightly and unhygienic and kept pushing them toward the outskirts, until few were left by the end of the nineteenth century.\u003c\/p\u003e\u003cp\u003eThe original: etching and drypoint on cream laid paper, 1854; Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eCharles Meryon (1821–1868) was a French etcher whose Eaux-fortes sur Paris (1850–54) recorded the old city before Haussmann's rebuilding. 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