{"title":"Christmas","description":"\u003cp\u003eBrueghel's Magi trudging through a snowstorm to the stable, Thomas Nast's round, fur-trimmed Santa Claus with his pipe and sack of toys, Kalckreuth's children gazing up at a tree of candles, Carl Larsson's family between Christmas and New Year, Norwegian gnomes feasting under a candle chandelier, and the gold and scarlet covers of Scribner's, St. Nicholas and The Inland Printer. Candlelight, snow and the old Christmas magazines. All chosen by hand, with free shipping and import duties included.\u003c\/p\u003e","products":[{"product_id":"henri-matisse-christmas-eve-nuit-de-noel-papiers-decoupes-fine-art-print","title":"Henri Matisse — Christmas Eve (Nuit de Noël) | Papiers Découpés Fine Art Print","description":"\u003cp\u003eAn arched composition designed as a stained-glass window: a blue ground studded with white and black stars surrounds a large eight-pointed yellow star at the crown. 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Born in Montabaur, he grew up in Chicago, studied at the Art Institute of Chicago and the Académie Julian in Paris, and moved to New York in 1902. He painted 322 covers for The Saturday Evening Post and 80 for Collier's; the Post covers popularised the New Year Baby and the plump, red-coated Santa Claus. His Arrow shirt and collar advertisements created the Arrow Collar Man. His friend Norman Rockwell drew heavily on his example. The largest public collection of his originals is at the Haggin Museum in Stockton, California.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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In the 1890s poster craze, influenced by Eugène Grasset, his work appeared regularly in Harper's, The Century, St. Nicholas and Scribner's, and in 1895 he won a gold medal at the first International Poster Show in Boston. He later illustrated children's classics and wrote American Trout-Stream Insects (1916).\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Working largely in the poster style of the 1890s, drawing in clean outline or in flat areas of pure colour, he was a prolific designer of publishers' book covers and also made posters. He went on to write and illustrate books on Parisian life, among them The Real Latin Quarter (1901) and How Paris Amuses Itself. He died in the Ardennes, in France.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A red band across the top is swagged with green holly leaves around a central star with rays. The title is set in green blackletter beneath a looping red script Enjoy, and prices for a matinee and an evening show, with a reservations number, are printed below. A red panel at the foot reads A Federal Theatre Production, WPA Unit.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A large dark house with a snow-laden roof glows from lit windows and an open doorway where figures stand. A man stands at the head of a horse hitched to a small sleigh; nearer, more sleighs heaped with fur rugs and crates wait on the trampled snow, a man bending over the farthest. A lantern pools light on the drifts at the left, and a white building with a small bell tower stands at the right under a deep teal sky.\u003c\/p\u003e\u003cp\u003eNasjonalmuseet in Oslo bought the painting in 1896 with the surplus from that year's State Art Exhibition. It was later shown in the Winterland exhibition of 1993 and 1994, which was staged in Georgia (USA), Japan, Barcelona, Munich and Lillehammer.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1895-96, 108 x 143.5 cm, Nasjonalmuseet, Oslo.\u003c\/p\u003e\u003cp\u003eLars Jorde (1865–1939) was a Norwegian painter and illustrator. Born in Vang in Hedmark, he entered the Norwegian National Academy of Craft and Art Industry in 1889 and studied under Gerhard Munthe, Eilif Peterssen, Harriet Backer and Kristian Zahrtmann, as well as in Paris and Italy. He painted in several styles over his career, settled in Lillehammer in 1905, and made decorations for chapels and for the Granheim Sanatorium at Follebu. As an illustrator he worked on Nansen and Sverdrup's Fram over polhavet (1897) and Jørgen Moe's I brønden og i tjernet (1898). He is represented in the National Gallery of Norway.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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One soldier waves his cap and others hug boxes to their chests. Two boys in army caps are on the ground in front, one startled by a figure springing from a box. A wreath arch reads WELCOME above a sign marked SANTA CLAUS, with tents and a large flag behind and the letters U and S at the upper corners.\u003c\/p\u003e\u003cp\u003eThis design ran on the front page of Harper's Weekly on 3 January 1863 (volume 7, page 1), during the American Civil War. The same issue carried Nast's double-page Christmas Eve, 1862. The Metropolitan Museum of Art holds the printed page and a relief print made from the electrotype of the design.\u003c\/p\u003e\u003cp\u003eThe original: wood engraving, first published in Harper's Weekly, 3 January 1863; impressions are held by the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eThomas Nast (1840–1902) was a German-born American caricaturist and political cartoonist. Born in Landau, he came to New York as a child, studied at the National Academy of Design, and drew for Harper's Weekly from 1859 to 1860 and again from 1862 to 1886. His cartoons backed the Radical Republicans, attacked opponents of civil rights for Black Southerners, and were instrumental in the downfall of William Tweed and the Tammany Hall machine. He is credited with first drawing the Republican Party as an elephant, and his Santa Claus of 1863, drawn during the Civil War, is generally recognised as the first picture of the modern Santa Claus.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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