{"title":"Dante Gabriel Rossetti Prints","description":"\u003cp\u003eFine art prints by Dante Gabriel Rossetti. Every work in our Dante Gabriel Rossetti collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"dante-gabriel-rossetti-beata-beatrix-symbolist-art-print","title":"Dante Gabriel Rossetti — Beata Beatrix | Symbolist Art Print","description":"\u003cp\u003eA woman with loose auburn hair tilts her head back, eyes closed and lips parted, hands loosely folded on a ledge before her. A red-orange bird hovers at her hands, dropping a white poppy into her open palms. Behind her, a hazy cityscape and a sundial-like form are visible, with a red-robed figure at the far left and a shadowy figure at the right.\u003c\/p\u003e\u003cp\u003eDante Gabriel Rossetti (1828–1882) was an English painter and poet. Trained at Henry Sass's drawing academy and the Royal Academy Schools before studying under Ford Madox Brown, he co-founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, rejecting what the group saw as the mechanical conventions of academic painting. His later work turned to close, half-length portraits of women, often modelled by Elizabeth Siddal and Jane Morris, in dense, symbolic compositions drawing on medieval and literary sources. His paintings are held by Tate, the Birmingham Museum and Art Gallery and Manchester Art Gallery.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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She is set against white and pink roses on a dark ground, with a candlelit dressing table and a garden glimpsed through an arched window at left. A single red flower stands in a glass tumbler at the lower right, beside a monogram and the date 1867.\u003c\/p\u003e\u003cp\u003eRossetti composed Lady Lilith in 1866 for the shipping magnate Frederick Leyland, pairing it with Sibylla Palmifera as depictions of the body's and the soul's beauty from his own sonnets. This watercolour replica, made in 1867, keeps the face of his original model, Fanny Cornforth; the oil version's head was later repainted, perhaps at Leyland's suggestion, with the likeness of Alexa Wilding, so the two versions now show different women. The watercolour has been at the Metropolitan Museum of Art since 1908; the oil hangs at the Delaware Art Museum.\u003c\/p\u003e\u003cp\u003eDante Gabriel Rossetti (1828–1882) was an English painter and poet. Trained at Henry Sass's drawing academy and the Royal Academy Schools before studying under Ford Madox Brown, he co-founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, rejecting what the group saw as the mechanical conventions of academic painting. His later work turned to close, half-length portraits of women, often modelled by Elizabeth Siddal and Jane Morris, in dense, symbolic compositions drawing on medieval and literary sources. His paintings are held by Tate, the Birmingham Museum and Art Gallery and Manchester Art Gallery.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Above, the bearded head of Christ looks down, ringed by a Latin inscription; below, the face of Beatrice rests in a crescent moon among rayed stars. Between them stands winged Love in a long pilgrim's robe, holding a long arrow and a sundial marked 1290, the year of Beatrice's death. It is the finished study for a panel on a cabinet for William Morris's Red House.\u003c\/p\u003e\u003cp\u003eThe original: pen and ink on paper, 1859–1860, Birmingham Museum and Art Gallery.\u003c\/p\u003e\u003cp\u003eDante Gabriel Rossetti (1828–1882) was an English painter and poet. Trained at Henry Sass's drawing academy and the Royal Academy Schools before studying under Ford Madox Brown, he co-founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, rejecting what the group saw as the mechanical conventions of academic painting. 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Her raised right arm bends over her head to hold a bough, shedding pink and white blossom down her arm, while her left hand grips a lower branch at her hip; a heart-shaped charm hangs from her bracelet. A red bird with spread wings perches above her, and blue butterflies hover at the upper left. Signed and dated 1878 at lower left.\u003c\/p\u003e\u003cp\u003eDante Gabriel Rossetti (1828–1882) was an English painter and poet. Trained at Henry Sass's drawing academy and the Royal Academy Schools before studying under Ford Madox Brown, he co-founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, rejecting what the group saw as the mechanical conventions of academic painting. His later work turned to close, half-length portraits of women, often modelled by Elizabeth Siddal and Jane Morris, in dense, symbolic compositions drawing on medieval and literary sources. 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One hand rests on its lid, and a plume of red smoke curls out to the right and rises behind her, where faint winged shapes drift in the orange haze. A bracelet hung with charms circles her wrist, dark green foliage frames the edges, and a Latin motto is inscribed on the side of the box.\u003c\/p\u003e\u003cp\u003eDante Gabriel Rossetti (1828–1882) was an English painter and poet. Trained at Henry Sass's drawing academy and the Royal Academy Schools before studying under Ford Madox Brown, he co-founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, rejecting what the group saw as the mechanical conventions of academic painting. His later work turned to close, half-length portraits of women, often modelled by Elizabeth Siddal and Jane Morris, in dense, symbolic compositions drawing on medieval and literary sources. 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