{"title":"Diego Velázquez Prints","description":"\u003cp\u003eFine art prints by Diego Velázquez. Every work in our Diego Velázquez collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"diego-velazquez-portrait-of-the-jester-calabazas-fine-art-print","title":"Diego Velázquez — Portrait of the Jester Calabazas | Fine Art Print","description":"\u003cp\u003eA young man with a dark bowl haircut and a white collar stands in a bare, grey-brown space beside a column base, smiling toward us with his head tilted. He wears a black doublet and breeches, a folded paper tucked in his belt. One hand is raised with a small dark object between the fingers, and the other holds a long thin rod pointing to the floor. At the left, a folding wooden stool with a tan leather seat casts its shadow on the pale floor.\u003c\/p\u003e\u003cp\u003eCalabazas was a jester at the court of Philip IV of Spain, with physical and mental disabilities, which the Cleveland Museum of Art says Velázquez emphasizes rather than hides. He places a type of person then seen as marginal in the format of the formal full-length court portrait. The museum notes that Calabazas holds a pinwheel and a miniature portrait of a woman. The canvas was in the royal collection at the Buen Retiro, Madrid, until at least 1808.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, c. 1631-32; Cleveland Museum of Art, Cleveland.\u003c\/p\u003e\u003cp\u003eDiego Velázquez (1599–1660) was a Spanish Baroque painter, born in Seville. He was apprenticed to Francisco Pacheco from 1611 and married Pacheco's daughter. In 1623 he moved to Madrid, where Philip IV made him court painter, and he remained in royal service for the rest of his life, with two journeys to Italy in 1629–31 and 1649–51. He painted portraits of the king, the royal family and servants, along with religious, mythological and historical subjects, among them The Surrender of Breda, the Rokeby Venus, a portrait of Pope Innocent X and Las Meninas (1656). His work is held by the Museo del Prado, the National Gallery, London and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A broad white collar with a ragged edge lies over an olive-grey jacket, and a cloak of the same colour falls behind one shoulder. One hand is tucked at his waist, set against a grey-green ground that glows faintly behind his head.\u003c\/p\u003e\u003cp\u003eVelázquez painted Juan de Pareja, an enslaved assistant in his workshop, in Rome in 1650, reportedly as practice before his portrait of Pope Innocent X. It was shown at the Pantheon that March, where, according to Palomino's biography, the painters praised it. The Metropolitan Museum of Art bought it in 1970, when it became the first painting to sell for more than one million pounds.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1650; The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eDiego Velázquez (1599–1660) was a Spanish Baroque painter, born in Seville. He was apprenticed to Francisco Pacheco from 1611 and married Pacheco's daughter. 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She wears a dark bodice with a low neckline edged in white, and a white cloth lies over her shoulder and gathers across her lap, where her hands are only loosely sketched. The ground is a warm grey-olive that stays plain around her.\u003c\/p\u003e\u003cp\u003eThe head is the most fully worked part of this portrait, which Velázquez left unfinished: the arms and hands are sketched in briefly. The National Gallery of Art's provenance has it in the artist's possession at his death in 1660, and it entered the collection in 1937 with the Andrew W. Mellon gift.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, c. 1640-50; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eDiego Velázquez (1599–1660) was a Spanish Baroque painter, born in Seville. He was apprenticed to Francisco Pacheco from 1611 and married Pacheco's daughter. 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At the left a dwarf in a dark dress and white satin apron holds a gold rattle and a red apple and glances sideways. A cushion at the right carries a white-plumed hat beside a gold tassel, and a red patterned carpet covers the floor.\u003c\/p\u003e\u003cp\u003eDiego Velázquez (1599–1660) was a Spanish Baroque painter, born in Seville. He was apprenticed to Francisco Pacheco from 1611 and married Pacheco's daughter. In 1623 he moved to Madrid, where Philip IV made him court painter, and he remained in royal service for the rest of his life, with two journeys to Italy in 1629–31 and 1649–51. He painted portraits of the king, the royal family and servants, along with religious, mythological and historical subjects, among them The Surrender of Breda, the Rokeby Venus, a portrait of Pope Innocent X and Las Meninas (1656). 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Her pale face has rosy cheeks and a small red mouth, and her brown hair is combed into tight crimped waves and swept out on either side in a wide curled mass, set with fan-shaped silver-grey ribbon loops and a small white bow at the crown. A white collar frames her neck, and a strip of gold trim shows at the lower right edge.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1651-1654; The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eDiego Velázquez (1599–1660) was a Spanish Baroque painter, born in Seville. He was apprenticed to Francisco Pacheco from 1611 and married Pacheco's daughter. In 1623 he moved to Madrid, where Philip IV made him court painter, and he remained in royal service for the rest of his life, with two journeys to Italy in 1629–31 and 1649–51. 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A bearded man at the back sings with his mouth wide open and his eyes raised, a man at right in a yellow tunic and white collar holds a violin and bow, and a boy in front, in a black vest with puffed yellow sleeves, grins at the viewer and holds out a full glass. A small monkey sits behind him. On the table lie a bread roll on a napkin and a round box with a knife in it.\u003c\/p\u003e\u003cp\u003eVelázquez painted it in Seville before becoming court painter in Madrid in 1623, and five versions of the composition survive. The Berlin museum calls this one the best in quality, though the uneven light and space have led some to doubt it is entirely his own work; others see those same features as marks of one of his earliest surviving paintings, made while he trained in Pacheco's workshop.\u003c\/p\u003e\u003cp\u003eThe original: painted on canvas, 1616-18; Gemäldegalerie, Berlin.\u003c\/p\u003e\u003cp\u003eDiego Velázquez (1599–1660) was a Spanish Baroque painter, born in Seville. He was apprenticed to Francisco Pacheco from 1611 and married Pacheco's daughter. In 1623 he moved to Madrid, where Philip IV made him court painter, and he remained in royal service for the rest of his life, with two journeys to Italy in 1629–31 and 1649–51. He painted portraits of the king, the royal family and servants, along with religious, mythological and historical subjects, among them The Surrender of Breda, the Rokeby Venus, a portrait of Pope Innocent X and Las Meninas (1656). His work is held by the Museo del Prado, the National Gallery, London and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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