{"title":"Edmund Dulac Prints","description":"\u003cp\u003eFine art prints by Edmund Dulac. Every work in our Edmund Dulac collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"edmund-dulac-stories-from-the-arabian-nights-princess-badoura-fairy-tale-illustration-print","title":"Edmund Dulac — Stories from the Arabian Nights: Princess Badoura | Fairy Tale Illustration Print","description":"\u003cp\u003eA princess in a jewelled headdress trailing curled plumes stands on a dark bank strewn with pink blossoms, holding up a round green fan and reaching an open hand toward a fiery bird. The bird, with a scarlet neck and long red tail streamers, flies out from a flowering willow at the left. She wears a pale blue-green gown under a red-and-gold patterned over-robe hung with tasselled cords. A red arched bridge crosses a grey stream at the lower left under an ochre-gold sky. Signed lower left.\u003c\/p\u003e\u003cp\u003eEdmund Dulac (1882–1953) was a French-born illustrator and designer from Toulouse, who studied law before turning to art and settled in London in his early twenties. After a first commission for the novels of the Brontë sisters, the Leicester Galleries and Hodder \u0026amp; Stoughton issued a gift book a year with his colour plates, among them Stories from the Arabian Nights (1907), The Tempest (1908), The Rubaiyat of Omar Khayyam (1909) and Poe's The Bells (1912). He became a British citizen in 1912. After the First World War he turned to magazine work, banknotes and stamps, including the first stamps of Elizabeth II's reign. His work is held by the Victoria and Albert Museum, the Metropolitan Museum of Art and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Perseus, bare-chested in a dark red cloak stamped with gold rings and diamonds, raises a curved sword high over his head in one fist. Between them rears the monster: a turquoise, white-speckled serpent with a great pink fan fin, a crested yellow head with fanged jaws and orange-tipped claws. Silver-flecked foam fills the foreground below a brown cave wall. Signed and dated lower left.\u003c\/p\u003e\u003cp\u003eEdmund Dulac (1882–1953) was a French-born illustrator and designer from Toulouse, who studied law before turning to art and settled in London in his early twenties. After a first commission for the novels of the Brontë sisters, the Leicester Galleries and Hodder \u0026amp; Stoughton issued a gift book a year with his colour plates, among them Stories from the Arabian Nights (1907), The Tempest (1908), The Rubaiyat of Omar Khayyam (1909) and Poe's The Bells (1912). He became a British citizen in 1912. 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At the left a dark-haired woman in a purple cloak, gold sash and jewelled circlet stands looking out, while a second figure bows low beneath a vast dark mantle spread across the floor. Smoke drifts up from a small pierced gold burner set in a curved dish and from a black cauldron on curved legs. A circle is drawn on the floor, and a keyhole-shaped doorway opens behind. Signed and dated 1907 lower left.\u003c\/p\u003e\u003cp\u003eEdmund Dulac (1882–1953) was a French-born illustrator and designer from Toulouse, who studied law before turning to art and settled in London in his early twenties. After a first commission for the novels of the Brontë sisters, the Leicester Galleries and Hodder \u0026amp; Stoughton issued a gift book a year with his colour plates, among them Stories from the Arabian Nights (1907), The Tempest (1908), The Rubaiyat of Omar Khayyam (1909) and Poe's The Bells (1912). He became a British citizen in 1912. 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Pearls and a green pendant lie at her throat, and her long silvery gown pools on the grass as she gazes aside. Beyond her, hills fall away under a blue-grey sky, and a blanched tree trunk stands against the cypresses at the left. Signed lower right. It illustrates Poe's Bridal Ballad.\u003c\/p\u003e\u003cp\u003eEdmund Dulac (1882–1953) was a French-born illustrator and designer from Toulouse, who studied law before turning to art and settled in London in his early twenties. After a first commission for the novels of the Brontë sisters, the Leicester Galleries and Hodder \u0026amp; Stoughton issued a gift book a year with his colour plates, among them Stories from the Arabian Nights (1907), The Tempest (1908), The Rubaiyat of Omar Khayyam (1909) and Poe's The Bells (1912). He became a British citizen in 1912. After the First World War he turned to magazine work, banknotes and stamps, including the first stamps of Elizabeth II's reign. 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