{"title":"Edward S. Curtis Prints","description":"\u003cp\u003eFine art prints by Edward S. Curtis. Every work in our Edward S. Curtis collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"edward-s-curtis-sunset-on-puget-sound-vintage-photograph-print","title":"Edward S. Curtis — Sunset on Puget Sound | Vintage Photograph Print","description":"\u003cp\u003eA long dugout canoe with a jutting prow glides across flat water in silhouette, its paddlers and passengers dark against the shining surface, one figure standing upright with a pole near the middle. Banked clouds fill most of the sky, breaking into pale light above a low line of distant shore, and reflections trail beneath the hull. The warm sepia plate is from Curtis's The North American Indian. Curtis posed and staged many of his scenes.\u003c\/p\u003e\u003cp\u003eThe original: photogravure, 1898, Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eEdward S. Curtis (1868–1952) was an American photographer, born near Whitewater, Wisconsin, who ran a portrait studio in Seattle. Work as photographer to the Harriman Alaska Expedition of 1899 led him to plan a record of the Native peoples of western North America. Funded by J. Pierpont Morgan, The North American Indian (1907–30) grew to 20 volumes of text with 20 portfolios of photogravures. He paid sitters to pose, often reconstructing ways of life that had passed, and retouched modern objects out of some pictures; his work fixed the image of Native Americans as a vanishing race, and has been criticised for it. His prints are held by the Metropolitan Museum of Art, the Art Institute of Chicago and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Curtis — Nez Percé Brave | Vintage Photograph Print","description":"\u003cp\u003eA man is seen in right-facing profile, wearing a feather bonnet with a beaded browband worked in cross motifs, long barred feathers hanging beside his face. Many strands of beads loop across his chest over a shaggy robe, and he holds a large pale feathered wing upright before him, his hand gripping its base. Soft light falls on his face against a dark ground. The sepia plate is from Curtis's The North American Indian. Curtis posed and staged many of his scenes.\u003c\/p\u003e\u003cp\u003eThe original: photogravure, 1905, Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eEdward S. Curtis (1868–1952) was an American photographer, born near Whitewater, Wisconsin, who ran a portrait studio in Seattle. Work as photographer to the Harriman Alaska Expedition of 1899 led him to plan a record of the Native peoples of western North America. Funded by J. 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