{"title":"El Lissitzky Prints","description":"\u003cp\u003eFine art prints by El Lissitzky (Russian, 1890–1941). Every work in our El Lissitzky collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"el-lissitzky-proun-1d-constructivist-art-print","title":"El Lissitzky — Proun 1D | Constructivist Art Print","description":"\u003cp\u003eGrey three-dimensional bars, rendered in axonometric projection, cross a large black circle set against a textured, off-white ground. A slender upright bar meets a short horizontal strip near the circle's centre, and two grey diagonal bands sweep in from the lower left corner. Brushwork is visible throughout the matte surface. The composition belongs to Lissitzky's Proun series, begun in 1919, which combined the vocabulary of architecture and painting in flat, projected geometric forms.\u003c\/p\u003e\u003cp\u003eEl Lissitzky (1890–1941) was a Russian artist, designer and architect and one of the central figures of Constructivism. Trained as an architect in Darmstadt, he illustrated Yiddish children's books before joining Kazimir Malevich at the Vitebsk art school in 1919, where he began the abstract compositions he called Prouns. In Berlin in the early 1920s he carried the new Russian art to Western Europe, designing the picture book Of Two Squares, Mayakovsky's For the Voice and the Proun Room, and later the photomontage exhibitions of the Soviet Union. His work is held by the Museum of Modern Art, the Tretyakov Gallery, Tate and the Van Abbemuseum in Eindhoven.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. 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A half-shaded disc head with a narrow black-and-orange bar sits at the top; a broad beige band and a speckled grey arc cross diagonally, cut by an orange bar and a bright orange triangle, with a small striped block and two black discs with a notch cut out at left. A black disc forms the base, and a wireframe box trails beside the figure. Signed in pencil at lower left.\u003c\/p\u003e\u003cp\u003eEl Lissitzky (1890–1941) was a Russian artist, designer and architect and one of the central figures of Constructivism. Trained as an architect in Darmstadt, he illustrated Yiddish children's books before joining Kazimir Malevich at the Vitebsk art school in 1919, where he began the abstract compositions he called Prouns. In Berlin in the early 1920s he carried the new Russian art to Western Europe, designing the picture book Of Two Squares, Mayakovsky's For the Voice and the Proun Room, and later the photomontage exhibitions of the Soviet Union. 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A cross-braced diagonal strut supports the figure from below, beside a tall grey panel and a dark curved shadow shape. The drawing is rendered in pencil greys and black on cream paper, with a signature at lower right.\u003c\/p\u003e\u003cp\u003eEl Lissitzky (1890–1941) was a Russian artist, designer and architect and one of the central figures of Constructivism. Trained as an architect in Darmstadt, he illustrated Yiddish children's books before joining Kazimir Malevich at the Vitebsk art school in 1919, where he began the abstract compositions he called Prouns. In Berlin in the early 1920s he carried the new Russian art to Western Europe, designing the picture book Of Two Squares, Mayakovsky's For the Voice and the Proun Room, and later the photomontage exhibitions of the Soviet Union. 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Individual black and red letters step diagonally down and across the right side, spelling out the title, and a small label with three red squares sits at upper right. Below, a stanza of Mayakovsky's poem is set in black type. This is the title page for \"Third International\" in El Lissitzky's 1923 book For the Voice.\u003c\/p\u003e\u003cp\u003eEl Lissitzky (1890–1941) was a Russian artist, designer and architect and one of the central figures of Constructivism. Trained as an architect in Darmstadt, he illustrated Yiddish children's books before joining Kazimir Malevich at the Vitebsk art school in 1919, where he began the abstract compositions he called Prouns. In Berlin in the early 1920s he carried the new Russian art to Western Europe, designing the picture book Of Two Squares, Mayakovsky's For the Voice and the Proun Room, and later the photomontage exhibitions of the Soviet Union. 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Below, a large black abbreviation for \"No.\" stands beside an even larger red numeral 2, and a line of black lettering names the army of the arts along the foot of the page. The sheet is otherwise bare cream paper. This is the title page for Mayakovsky's poem \"Order No. 2 to the Army of the Arts\" in El Lissitzky's 1923 book For the Voice.\u003c\/p\u003e\u003cp\u003eEl Lissitzky (1890–1941) was a Russian artist, designer and architect and one of the central figures of Constructivism. Trained as an architect in Darmstadt, he illustrated Yiddish children's books before joining Kazimir Malevich at the Vitebsk art school in 1919, where he began the abstract compositions he called Prouns. In Berlin in the early 1920s he carried the new Russian art to Western Europe, designing the picture book Of Two Squares, Mayakovsky's For the Voice and the Proun Room, and later the photomontage exhibitions of the Soviet Union. 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