{"title":"Elizabeth Shippen Green Prints","description":"\u003cdiv class=\"artist-bio\"\u003e\n\u003ch2\u003eAbout Elizabeth Shippen Green\u003c\/h2\u003e\n\u003cp\u003eElizabeth Shippen Green (1871–1954) was an American illustrator from Philadelphia. She studied at the Pennsylvania Academy of the Fine Arts with Thomas Anshutz and Robert Vonnoh, and from 1894 with Howard Pyle, as one of the first students in his illustration classes at the Drexel Institute. With Jessie Willcox Smith and Violet Oakley she formed the group Pyle called the Red Rose Girls, and the three shared studio homes outside Philadelphia for about fourteen years. In 1911 she married Huger Elliott, a professor of architecture.\u003c\/p\u003e\n\u003cp\u003eGreen is known for her magazine illustrations of children, family life and old stories. In 1901 she won an exclusive contract with \u003cem\u003eHarper's Monthly\u003c\/em\u003e, and she illustrated for the magazine for more than twenty years. She also illustrated books, including a 1922 edition of Charles and Mary Lamb's \u003cem\u003eTales from Shakespeare\u003c\/em\u003e. The Library of Congress holds more than a hundred of her drawings.\u003c\/p\u003e\n\u003c\/div\u003e\u003cp\u003eElizabeth Shippen Green prints: reproductions of the magazine and book illustrations American illustrator Elizabeth Shippen Green made in the early 1900s. The collection includes \u003cem\u003eThe journey\u003c\/em\u003e (1903), \u003cem\u003eLife was made for love and cheer\u003c\/em\u003e (1904), \u003cem\u003eGiséle\u003c\/em\u003e (1908) and \u003cem\u003eOnce more the herald set the trumpet to his lips and blew\u003c\/em\u003e (1911).\u003c\/p\u003e\u003cp\u003eOur selection focuses on Green's story illustrations: travellers, young women and scenes from romance and legend. The works combine clear outlines with flat, muted colour and patterned costumes, a style shaped by her training with Howard Pyle.\u003c\/p\u003e\u003cp\u003eThese illustrations suit bedrooms, reading corners, libraries and children's rooms. All prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"elizabeth-shippen-green-once-more-the-herald-set-the-trumpet-to-his-lips-and-blew-vintage-illustration-print","title":"Elizabeth Shippen Green — Once more the herald set the trumpet to his lips and blew | Vintage Illustration Print","description":"\u003cp\u003eThree riders stand on a dark green hill, two on grey horses and the middle one on a dark horse. In front, a herald in crimson with a red cap tilts his head back and blows a long trumpet from which hangs a heraldic banner in red, gold and blue. Behind him a rider in a black hooded cloak looks out toward us, and a third in a brown tunic with an orange hood bows his head. Behind them the sky bands from violet cloud through yellow to pink.\u003c\/p\u003e\u003cp\u003eElizabeth Shippen Green (1871–1954) was an American illustrator. She enrolled at the Pennsylvania Academy of the Fine Arts in 1887, studying with Thomas Anshutz, Thomas Eakins, and then with Howard Pyle at the Drexel Institute. Her pen-and-ink drawings appeared in St. Nicholas Magazine and The Saturday Evening Post, and in 1901 she signed an exclusive contract with Harper's Magazine. In 1903 she made the calendar The Child with Jessie Willcox Smith and became one of the first two women elected Associate Members of the Society of Illustrators. She won the Pennsylvania Academy's Mary Smith Prize in 1905.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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Her dress is peach with puffed sleeves and white cuffs, and a blue brooch fastens it at the waist. One hand rests on the white cloth in her lap, wrapped around a round yellow object ringed in concentric lines. Blue hills show beyond the leaves at the left.\u003c\/p\u003e\u003cp\u003eElizabeth Shippen Green (1871–1954) was an American illustrator. She enrolled at the Pennsylvania Academy of the Fine Arts in 1887, studying with Thomas Anshutz, Thomas Eakins, and then with Howard Pyle at the Drexel Institute. Her pen-and-ink drawings appeared in St. Nicholas Magazine and The Saturday Evening Post, and in 1901 she signed an exclusive contract with Harper's Magazine. In 1903 she made the calendar The Child with Jessie Willcox Smith and became one of the first two women elected Associate Members of the Society of Illustrators. She won the Pennsylvania Academy's Mary Smith Prize in 1905.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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A girl in white stands higher on the steps, two small cats beside her. Beyond, a woman in a green gown and several figures in dark clothes stand on a lawn by a white flowering shrub. A white columned house sits among tall trees, and a weeping willow fills the left edge. The artist's name is lettered in a small panel at the lower right.\u003c\/p\u003e\u003cp\u003eElizabeth Shippen Green (1871–1954) was an American illustrator. She enrolled at the Pennsylvania Academy of the Fine Arts in 1887, studying with Thomas Anshutz, Thomas Eakins, and then with Howard Pyle at the Drexel Institute. Her pen-and-ink drawings appeared in St. Nicholas Magazine and The Saturday Evening Post, and in 1901 she signed an exclusive contract with Harper's Magazine. In 1903 she made the calendar The Child with Jessie Willcox Smith and became one of the first two women elected Associate Members of the Society of Illustrators. 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Beyond the dark frame lie green fields, rust-brown hills and blue distant ranges under heaped cream and grey clouds, with pale domed towers rising in the clouds at the top. A tiny dark animal stands in the middle distance. A cartouche at lower right reads ELIZABETH SHIPPEN GREEN.\u003c\/p\u003e\u003cp\u003eElizabeth Shippen Green (1871–1954) was an American illustrator. She enrolled at the Pennsylvania Academy of the Fine Arts in 1887, studying with Thomas Anshutz, Thomas Eakins, and then with Howard Pyle at the Drexel Institute. Her pen-and-ink drawings appeared in St. Nicholas Magazine and The Saturday Evening Post, and in 1901 she signed an exclusive contract with Harper's Magazine. In 1903 she made the calendar The Child with Jessie Willcox Smith and became one of the first two women elected Associate Members of the Society of Illustrators. She won the Pennsylvania Academy's Mary Smith Prize in 1905.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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