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On the horizon lie a dark headland and a small white walled town on an island; high above, tiny against the blue-green sky, Bilibin drew the mosquito — Prince Guidon transformed — closing on the ship. The water is pure outline and flat colour, its foam broken into hooked white curls in the manner of the Japanese prints Bilibin admired. A red and olive ornamental band closes the image, with two lines of the poem beneath in his own red hand: \u003cem\u003eHe flew and buzzed, and overtook the ship at sea.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eIvan Bilibin (1876–1942) studied under Ilya Repin and joined the Mir Iskusstva (World of Art) circle in St Petersburg, building a graphic language out of Russian peasant embroidery, lubok broadsheets and the ornament of seventeenth-century manuscripts. 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