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She is set against white and pink roses on a dark ground, with a candlelit dressing table and a garden glimpsed through an arched window at left. A single red flower stands in a glass tumbler at the lower right, beside a monogram and the date 1867.\u003c\/p\u003e\u003cp\u003eRossetti composed Lady Lilith in 1866 for the shipping magnate Frederick Leyland, pairing it with Sibylla Palmifera as depictions of the body's and the soul's beauty from his own sonnets. This watercolour replica, made in 1867, keeps the face of his original model, Fanny Cornforth; the oil version's head was later repainted, perhaps at Leyland's suggestion, with the likeness of Alexa Wilding, so the two versions now show different women. The watercolour has been at the Metropolitan Museum of Art since 1908; the oil hangs at the Delaware Art Museum.\u003c\/p\u003e\u003cp\u003eDante Gabriel Rossetti (1828–1882) was an English painter and poet. Trained at Henry Sass's drawing academy and the Royal Academy Schools before studying under Ford Madox Brown, he co-founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, rejecting what the group saw as the mechanical conventions of academic painting. His later work turned to close, half-length portraits of women, often modelled by Elizabeth Siddal and Jane Morris, in dense, symbolic compositions drawing on medieval and literary sources. His paintings are held by Tate, the Birmingham Museum and Art Gallery and Manchester Art Gallery.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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C. Wyeth — Ogier and Morgana | Illustration Art Print","description":"\u003cp\u003eIn a garden of clipped round trees at the foot of a stone stair, a red-haired woman in a billowing pale green gown holds out a wreath of white flowers. A fair-haired young man in a short, jagged-hemmed tunic with a gold belt, green sleeves and cross-gartered green boots strides toward her, one hand at his chest. Towers rise above the trees, and water lilies float on a pond in the foreground. Signed and dated at upper right; from the 1924 edition of Bulfinch's Legends of Charlemagne.\u003c\/p\u003e\u003cp\u003eN. C. Wyeth (1882–1945) was an American painter and illustrator. Born in Needham, Massachusetts, he studied at the Massachusetts Normal Art School and the Eric Pape School of Art before joining Howard Pyle in the Brandywine Valley. His first commission was a 1903 Saturday Evening Post cover, and trips West fed a run of cowboy and Native American subjects. His illustrations for Scribner's Treasure Island (1911) paid for his house and studio at Chadds Ford, Pennsylvania, and were followed by Kidnapped and The Last of the Mohicans. His work is held by the Brandywine Museum of Art, which preserves his studio, and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A white sari with a gold border and a patterned end clings to her figure, and her long black hair streams back toward the dark trunk of the tree that holds the swing. Beyond, rocky hills and a jagged peak fade into a hazy blue range under a cream and pale gold sky. Ravi Varma painted the canvas in 1894.\u003c\/p\u003e\u003cp\u003eRaja Ravi Varma (1848–1906) was an Indian painter, born at Kilimanoor in the princely state of Travancore, now Kerala, into an aristocratic family closely tied to its royal house. Patronised by Maharaja Ayilyam Thirunal, he learned watercolour from Rama Swami Naidu and oil painting from the British portraitist Theodore Jensen. He applied European realism to Hindu gods and to scenes from the Mahabharata and Ramayana, such as Shakuntala, and won three gold medals at Chicago in 1893. From 1894 his lithographic press spread his images across India, and they shaped early Indian cinema. 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One hand hangs open at her side; the other steadies a round black jar with a yellow neck against her waist, holding amrita, the nectar of immortality she carries to the gods. White lines trace her necklaces, armlets and anklets against a plain pale blue-green ground.\u003c\/p\u003e\u003cp\u003eThe original: gum tempera, graphite and ink on paper, about 1890, The Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eKalighat painting is a style of watercolour on paper made in Calcutta, now Kolkata, from the nineteenth century into the early twentieth by patuas, traditional scroll painters, working near the Kalighat Kali temple. They sold the pictures cheaply to pilgrims and visitors, painting them quickly in broad, sweeping outlines and bold colour on plain backgrounds. Hindu gods and goddesses share the repertoire with satirical scenes of the changing city, such as the dandyish babu and the courtesan. Competition from cheap coloured lithographs ended the tradition, but its simplified forms influenced modern Indian painters, among them Jamini Roy. The Victoria and Albert Museum holds the largest collection, including some 233 paintings once owned by John Lockwood Kipling; others are held by the Cleveland Museum of Art and Minneapolis Institute of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Working as a clerk, he was encouraged by Edward Burne-Jones and took a few months of evening classes at the Westminster School of Art, his only formal training. In 1893 he began illustrating Malory's Le Morte Darthur, in 1894 he became art editor of The Yellow Book, and his drawings for Oscar Wilde's Salomé (1894) made him notorious. His black ink drawings drew on Japanese woodcuts and the curving line of Art Nouveau. After the Wilde scandal of 1895 he moved to The Savoy. He died of tuberculosis at 25. His drawings are held by the Victoria and Albert Museum, the Art Institute of Chicago and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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