{"title":"Fra Angelico Prints","description":"\u003cp\u003eFine art prints by Fra Angelico. Every work in our Fra Angelico collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"fra-angelico-the-nativity-christmas-art-print","title":"Fra Angelico — The Nativity | Christmas Art Print","description":"\u003cp\u003eBeneath a thatched lean-to, Mary kneels at left in a red robe with her hands pressed together and a gold halo behind her head. At right Joseph, in a magenta robe and teal head-cloth, kneels with both palms raised, a halo gleaming behind him. Between them the infant Christ lies on straw rayed with gold light, a small halo around his head. An ox kneels at centre before Mary, and a grey ass lowers its head beside it, in front of the dark mouth of a cave.\u003c\/p\u003e\u003cp\u003eThe original: tempera on poplar panel, about 1425, Minneapolis Institute of Art.\u003c\/p\u003e\u003cp\u003eFra Angelico (c. 1395–1455), born Guido di Pietro in the Mugello region of Tuscany, was a Dominican friar and painter of the early Florentine Renaissance. By 1423 he had joined the convent of San Domenico at Fiesole as Fra Giovanni; he painted only religious subjects. Under the patronage of Cosimo de' Medici he decorated the convent of San Marco in Florence with a cycle of frescoes, and he later worked in Rome for Popes Eugene IV and Nicholas V. His work helped bring linear perspective and a new depth and solidity into Florentine painting. Pope John Paul II beatified him in 1982 and in 1984 named him patron of artists.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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At the left, inside an arched room, a figure sits up in a bed with a red coverlet while two haloed men in red caps and blue and pink robes lean in to tend them, two faces watching over the bed head. At the right a woman in a purple gown and white veil stands at a doorway and holds out a pale parcel to a third haloed man, who raises a hand. Cracked stone paving runs along the foot.\u003c\/p\u003e\u003cp\u003eThe National Gallery of Art places this panel on the high altar of the church of San Marco in Florence from about 1440 until about 1677. By 1841 it was with the Paris collector Pourtales-Gorgier, whose 1865 sale catalogue attributed it to Masaccio. The Kress Foundation bought it in 1944 and gave it to the National Gallery in 1952.\u003c\/p\u003e\u003cp\u003eThe original: tempera and oil on panel, c. 1438-1440; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eFra Angelico (c. 1395–1455), born Guido di Pietro in the Mugello region of Tuscany, was a Dominican friar and painter of the early Florentine Renaissance. By 1423 he had joined the convent of San Domenico at Fiesole as Fra Giovanni; he painted only religious subjects. Under the patronage of Cosimo de' Medici he decorated the convent of San Marco in Florence with a cycle of frescoes, and he later worked in Rome for Popes Eugene IV and Nicholas V. His work helped bring linear perspective and a new depth and solidity into Florentine painting. Pope John Paul II beatified him in 1982 and in 1984 named him patron of artists.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. 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Angels with gold halos stand and kneel around the steps, in robes of rose, pale blue, olive, white and gold; some press their hands together and others turn toward the Child. A dark blue floor runs along the foot of the panel, and the angels' dark wings are edged in gold.\u003c\/p\u003e\u003cp\u003eThe Städel Museum says the panel was probably created in the 1420s. Its fine brushwork and rich gilding suggest it served both private devotion and a display of refined taste. The museum singles out the perspective of the canopy above the throne and the varied poses and gestures of the angels, and notes that it acquired the panel in 1831.\u003c\/p\u003e\u003cp\u003eThe original: mixed technique on poplar panel, ca. 1420-1430; Städel Museum, Frankfurt am Main.\u003c\/p\u003e\u003cp\u003eFra Angelico (c. 1395–1455), born Guido di Pietro in the Mugello region of Tuscany, was a Dominican friar and painter of the early Florentine Renaissance. By 1423 he had joined the convent of San Domenico at Fiesole as Fra Giovanni; he painted only religious subjects. Under the patronage of Cosimo de' Medici he decorated the convent of San Marco in Florence with a cycle of frescoes, and he later worked in Rome for Popes Eugene IV and Nicholas V. His work helped bring linear perspective and a new depth and solidity into Florentine painting. Pope John Paul II beatified him in 1982 and in 1984 named him patron of artists.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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The angel wears a pink robe with broad gold bands at the neck, shoulders and cuffs, and large wings in dark brown, rose and gold rise behind. The background is burnished gold leaf, scratched and worn across its surface.\u003c\/p\u003e\u003cp\u003eFra Angelico (c. 1395–1455), born Guido di Pietro in the Mugello region of Tuscany, was a Dominican friar and painter of the early Florentine Renaissance. By 1423 he had joined the convent of San Domenico at Fiesole as Fra Giovanni; he painted only religious subjects. Under the patronage of Cosimo de' Medici he decorated the convent of San Marco in Florence with a cycle of frescoes, and he later worked in Rome for Popes Eugene IV and Nicholas V. His work helped bring linear perspective and a new depth and solidity into Florentine painting. Pope John Paul II beatified him in 1982 and in 1984 named him patron of artists.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. 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