{"title":"Francisco de Goya Prints","description":"\u003cdiv class=\"artist-bio\"\u003e\n\u003ch2\u003eAbout Francisco de Goya\u003c\/h2\u003e\n\u003cp\u003eFrancisco de Goya (1746–1828) was a Spanish painter and printmaker, born on 30 March 1746 in Fuendetodos, near Saragossa. He trained with José Luzán in Saragossa and Francisco Bayeu in Madrid and settled in Madrid by 1775. He became a painter to King Charles III in 1786 and First Painter to Charles IV in 1799. A severe illness in 1792 left him deaf. In 1824 he went into exile in Bordeaux, France, where he died on 16 April 1828.\u003c\/p\u003e\n\u003cp\u003eGoya painted royal and society portraits and designs for the royal tapestry works, but also some of the darkest images in European art. He lived through the Peninsular War, Napoleon's invasion of Spain, and recorded its cruelty in the etching series The Disasters of War (1810–14) and in the painting The Third of May 1808 (1814). His clothed and nude Majas hang in the Prado in Madrid. Late in life he covered the walls of his own house with the brooding images now known as the Black Paintings.\u003c\/p\u003e\n\u003c\/div\u003e\u003cp\u003eFrancisco de Goya prints: reproductions of paintings and etchings by the Spanish painter and printmaker Francisco de Goya, made between 1783 and about 1820. The collection includes The Third of May 1808 (1814), Saturn Devouring His Son (1820), The Sleep of Reason Produces Monsters (1799), The Marquesa de Pontejos (1786) and The Forge (1815).\u003c\/p\u003e\u003cp\u003eA large part of this selection is black-and-white etchings, from Los Caprichos (1799), with its witches, goblins and satire, and from Los Disparates, his late series of dreamlike follies. Alongside them are Black Paintings such as Atropos and Two Old Men Eating Soup, portraits of Spanish society sitters and children, tapestry designs such as Autumn and Boy on a Ram, and scenes from the war with France.\u003c\/p\u003e\u003cp\u003eThe etchings suit studies, libraries and hallways and hang well in groups; the lighter portraits and tapestry designs work in living rooms and dining rooms. All prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"francisco-de-goya-asta-su-abuelo-and-so-was-his-grandfather-los-caprichos-plate-39-etching-print","title":"Francisco de Goya — Asta su abuelo (And So Was His Grandfather), Los Caprichos, Plate 39 | Etching Print","description":"\u003cp\u003eA donkey dressed as a gentleman, in a pale coat and breeches, sits cross-legged on a chair at a table, turning the pages of a large open book. The pages are filled with rows of little donkeys, and a small donkey emblem leans against the table at the left. Flat aquatint tones set the pale figure against a dark ground. The plate number 39 is etched at the upper right and the caption is lettered beneath the image.\u003c\/p\u003e\u003cp\u003eThe original: lift-ground aquatint and aquatint, 1799; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eFrancisco de Goya (1746–1828) was a Spanish painter and printmaker, born in Fuendetodos in Aragon. He rose through tapestry designs for the royal factory to become court painter to Charles IV in 1789 and First Court Painter in 1799. Deafness from 1793 turned his work inward: the eighty prints of Los Caprichos appeared in 1799, the Disasters of War recorded the Peninsular War (published only in 1863), and the Black Paintings covered the walls of his house outside Madrid in 1819–1823. He left Spain in 1824 and died in Bordeaux; The Third of May 1808 and the Black Paintings hang in the Museo del Prado.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. Ships worldwide with free delivery to 30+ countries.\u003c\/p\u003e","brand":"9ArtPrints","offers":[{"title":"Unframed - Hahnemühle Paper \/ Accent - 12x16 in \/ 30x40 cm","offer_id":67727773139258,"sku":"PRE-FRADE-UNFACC-8G9Q","price":165.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67727773270330,"sku":null,"price":220.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Statement - 24x32 in \/ 60x80 cm","offer_id":67727773303098,"sku":null,"price":275.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67727773335866,"sku":null,"price":385.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Collector's Edition - 40x55 in \/ 100x140 cm","offer_id":67727773368634,"sku":null,"price":770.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Accent - 12x16 in \/ 30x40 cm","offer_id":67727773401402,"sku":null,"price":415.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67727773434170,"sku":null,"price":570.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Statement - 24x32 in \/ 60x80 cm","offer_id":67727773466938,"sku":null,"price":730.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67727773499706,"sku":null,"price":1460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Accent - 12x16 in \/ 30x40 cm","offer_id":67727773532474,"sku":null,"price":415.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67727773565242,"sku":null,"price":570.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Statement - 24x32 in \/ 60x80 cm","offer_id":67727773598010,"sku":null,"price":730.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67727773630778,"sku":null,"price":1460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Accent - 12x16 in \/ 30x40 cm","offer_id":67727773663546,"sku":null,"price":415.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67727773696314,"sku":null,"price":570.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Statement - 24x32 in \/ 60x80 cm","offer_id":67727773729082,"sku":null,"price":730.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67727773761850,"sku":null,"price":1460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Accent - 12x16 in \/ 30x40 cm","offer_id":67727773794618,"sku":null,"price":415.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":67727773827386,"sku":null,"price":570.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Statement - 24x32 in \/ 60x80 cm","offer_id":67727773860154,"sku":null,"price":730.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":67727773892922,"sku":null,"price":1460.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/6920\/3514\/files\/Asta-su-abuelo-And-So-Was-His-Grandfather-Los-Caprichos-Plate-39-by-Francisco-de-Goya.jpg?v=1792378493"},{"product_id":"francisco-de-goya-aquellos-polbos-those-specks-of-dust-los-caprichos-plate-23-etching-print","title":"Francisco de Goya — Aquellos polbos (Those Specks of Dust), Los Caprichos, Plate 23 | Etching Print","description":"\u003cp\u003eA figure in a tall pointed paper cap and a long pale robe sits on a raised platform with head bowed. Behind, a man at a lectern reads aloud from a sheet with a second man at his side, and a dense crowd of faces fills the space below and beside the platform. The ground is a flat grey aquatint tone. The plate number 23 is etched at the upper right and the caption is lettered beneath.\u003c\/p\u003e\u003cp\u003eFrancisco de Goya (1746–1828) was a Spanish painter and printmaker, born in Fuendetodos in Aragon. He rose through tapestry designs for the royal factory to become court painter to Charles IV in 1789 and First Court Painter in 1799. Deafness from 1793 turned his work inward: the eighty prints of Los Caprichos appeared in 1799, the Disasters of War recorded the Peninsular War (published only in 1863), and the Black Paintings covered the walls of his house outside Madrid in 1819–1823. He left Spain in 1824 and died in Bordeaux; The Third of May 1808 and the Black Paintings hang in the Museo del Prado.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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A sheer white lace mantilla falls from her head over her shoulders and is gathered at her waist in one gloved hand; her other arm hangs at her side in a long white glove, a closed fan in her fingers. Her black dress has short puffed sleeves, and a fine necklace shows at her throat beneath the lace.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, c. 1800\/1805; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eFrancisco de Goya (1746–1828) was a Spanish painter and printmaker, born in Fuendetodos in Aragon. He rose through tapestry designs for the royal factory to become court painter to Charles IV in 1789 and First Court Painter in 1799. Deafness from 1793 turned his work inward: the eighty prints of Los Caprichos appeared in 1799, the Disasters of War recorded the Peninsular War (published only in 1863), and the Black Paintings covered the walls of his house outside Madrid in 1819–1823. He left Spain in 1824 and died in Bordeaux; The Third of May 1808 and the Black Paintings hang in the Museo del Prado.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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Around him men cover their faces or pray, and bodies lie on the ground before them, stained red. Opposite, a tight row of soldiers in greatcoats and tall shakos levels their muskets, their faces turned away. A church tower and town buildings rise against the black sky behind.\u003c\/p\u003e\u003cp\u003eGoya painted the scene in 1814 as the companion to his Second of May 1808, showing the executions carried out on the night after the Madrid uprising against French troops. The Fundación Goya en Aragón catalogue notes that the soldiers' faces are never shown while each condemned man takes a different pose, and that the cube of light from the lantern has been called a forerunner of Cubism. Damage at the lower left dates from the painting's move to Valencia in 1937, during the Spanish Civil War.\u003c\/p\u003e\u003cp\u003eFrancisco de Goya (1746–1828) was a Spanish painter and printmaker, born in Fuendetodos in Aragon. 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