{"title":"Georges de La Tour Prints","description":"\u003cp\u003eFine art prints by Georges de La Tour. Every work in our Georges de La Tour collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"georges-de-la-tour-the-musicians-brawl-fine-art-print","title":"Georges de La Tour — The Musicians' Brawl | Fine Art Print","description":"\u003cp\u003eFive musicians crowd close together in violent dispute: a bearded man swings a knife with one hand while gripping a set of bagpipes with the other, his wrist seized by a grey-bearded man in a blue robe trying to restrain him. An old woman in a white headwrap cries out beside them, while two younger men behind hold a fiddle and look on, one grinning beneath a feathered black beret. The figures are lit against a plain dark ground, in warm tones of brown, gold and blue.\u003c\/p\u003e\u003cp\u003eGeorges de La Tour (1593–1652) was a French Baroque painter working mainly in Lorraine; little is documented about his training, though his work suggests early contact with the naturalism of Caravaggio, probably through Dutch followers rather than direct study in Italy. He painted religious and genre scenes, many lit by a single candle or hidden flame, in which the fall of light simplifies faces and hands into broad, still planes. Long overshadowed by other Baroque painters, his reputation was largely reconstructed by scholars in the twentieth century. His paintings are held by the Louvre, the Metropolitan Museum of Art and the National Gallery of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. 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A skull rests on her knee against a red skirt, and a stack of books and a coil of rope lie on the shelf beside the glass. The rest of the room falls into deep brown shadow, her bare foot just visible below.\u003c\/p\u003e\u003cp\u003eThe Los Angeles County Museum of Art describes the Magdalen as absorbed in meditation, in a picture with no explicit narrative, so that the focus falls on her inner state. 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At the left a man in a tan jerkin and black sash fans cards towards the viewer while his other hand reaches behind his back to a card tucked in his belt. A woman in a turban and red bodice pours wine from a wicker-covered flask. At the centre a woman in a gold-brown gown, red feathered cap and pearls glances sideways, and at the right a young man in a pink and silver doublet with an orange plume studies his cards.\u003c\/p\u003e\u003cp\u003eGeorges de La Tour (1593–1652) was a French Baroque painter working mainly in Lorraine; little is documented about his training, though his work suggests early contact with the naturalism of Caravaggio, probably through Dutch followers rather than direct study in Italy. He painted religious and genre scenes, many lit by a single candle or hidden flame, in which the fall of light simplifies faces and hands into broad, still planes. 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