{"title":"Georges Seurat Prints","description":"\u003cp\u003eFine art prints by Georges Seurat. Every work in our Georges Seurat collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"georges-seurat-final-study-for-bathers-at-asnieres-fine-art-print","title":"Georges Seurat — Final Study for Bathers at Asnieres | Fine Art Print","description":"\u003cp\u003eA shirtless young man sits on the riverbank with his back to the viewer, watching two smaller figures wade in the blue-green water. To the left another figure in a broad hat sits with knees drawn up, and at the lower left two more reclining figures rest among scattered hats and clothing. Sailboats cross the water and factory chimneys line the far bank beneath a cloud-streaked sky.\u003c\/p\u003e\u003cp\u003eThe Art Institute of Chicago, which owns this small panel, titles it the final study for Bathers at Asnières, the canvas Seurat meant as his entry to the official Salon in the spring of 1884. The Salon rejected it. That large painting, his first major composition, made before he had turned 25, is now in the National Gallery in London.\u003c\/p\u003e\u003cp\u003eGeorges Seurat (1859–1891) was a French painter, born in Paris. He trained at the École des Beaux-Arts under Henri Lehmann, then developed, through study of colour theory by Michel Eugène Chevreul and Ogden Rood, a technique of applying small dots of pure colour that he called chromoluminarism and that became known as pointillism. His large exhibition canvases, above all A Sunday Afternoon on the Island of La Grande Jatte, translate everyday Parisian leisure into carefully calculated, almost systematic arrangements of colour and form. His paintings are held by the Art Institute of Chicago, the Musée d'Orsay and the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Several women in long dark dresses sit or kneel in the grass, one in a rust-orange dress standing at the left; a woman in blue and white stands with her arm extended, and. A man in a top hat stands at the far right, and pale figures and a rowboat are sketched along the water's edge in the distance.\u003c\/p\u003e\u003cp\u003eSeurat prepared A Sunday on La Grande Jatte of 1884-6 with approximately fifty oil sketches and drawings, and this panel belongs to that campaign. They record his process of investigation, and figures worked out in them could be significantly transformed in the final painting. The finished picture, some six by ten feet, was first exhibited at the eighth Impressionist exhibition of 1886 and is now in the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003eGeorges Seurat (1859–1891) was a French painter, born in Paris. He trained at the École des Beaux-Arts under Henri Lehmann, then developed, through study of colour theory by Michel Eugène Chevreul and Ogden Rood, a technique of applying small dots of pure colour that he called chromoluminarism and that became known as pointillism. His large exhibition canvases, above all A Sunday Afternoon on the Island of La Grande Jatte, translate everyday Parisian leisure into carefully calculated, almost systematic arrangements of colour and form. His paintings are held by the Art Institute of Chicago, the Musée d'Orsay and the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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At right a woman in a dark bustled dress holds a black parasol beside a man in a top hat, a small monkey on a leash at her feet and a little dog bounding forward. A man in a sleeveless red vest reclines with a pipe at lower left, a black dog sniffs the grass, and a girl in white stands at centre. A dotted border rings the canvas.\u003c\/p\u003e\u003cp\u003eSeurat worked on the canvas from 1884 to 1886 after many drawn and painted studies, returning to it two years in to strengthen some figures and add others; the border of painted dots came in 1888–89. Shown at the eighth and last Impressionist exhibition in 1886, it marked him as the leader of Neo-Impressionism. It has been at the Art Institute of Chicago since 1924.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1884–86 (border added 1888–89), Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003eGeorges Seurat (1859–1891) was a French painter, born in Paris. He trained at the École des Beaux-Arts under Henri Lehmann, then developed, through study of colour theory by Michel Eugène Chevreul and Ogden Rood, a technique of applying small dots of pure colour that he called chromoluminarism and that became known as pointillism. His large exhibition canvases, above all A Sunday Afternoon on the Island of La Grande Jatte, translate everyday Parisian leisure into carefully calculated, almost systematic arrangements of colour and form. His paintings are held by the Art Institute of Chicago, the Musée d'Orsay and the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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