{"title":"Giuseppe Arcimboldo Prints","description":"\u003cp\u003eFine art prints by Giuseppe Arcimboldo. Every work in our Giuseppe Arcimboldo collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"giuseppe-arcimboldo-rudolf-ii-of-habsburg-or-vertumnus-fine-art-print","title":"Giuseppe Arcimboldo — Rudolf II of Habsburg or Vertumnus | Fine Art Print","description":"\u003cp\u003eA bust-length face and torso built entirely from fruit, vegetables and flowers against a near-black ground. A pear forms the nose, flushed apples the cheeks, cherries the lips and bristly husks the beard; grapes, ears of wheat and a gourd crown the head. Leaves of cabbage-like green make the shoulders, and a bouquet of a white lily, a pink rose and two red peppers is pinned at the chest.\u003c\/p\u003e\u003cp\u003eArcimboldo painted Rudolf II as Vertumnus, the Roman god of the seasons, as a gift to his former employer, with an explanatory poem by his friend Gregorio Comanini. Swedish troops took it from Prague as war booty in 1648, and it reached Skokloster Castle between 1828 and 1845. Skokloster says it became widely valued only after a 1987 exhibition at Palazzo Grassi in Venice.\u003c\/p\u003e\u003cp\u003eThe original: oil on panel, 1591; Skokloster Castle, Sweden.\u003c\/p\u003e\u003cp\u003eGiuseppe Arcimboldo (1527–1593) was an Italian Mannerist painter, born in Milan. He began by designing stained glass and frescoes for Milanese cathedrals alongside his father, Biagio, and designed tapestries for Como and Monza cathedrals in 1558. From 1562 he served as court portraitist to the Habsburg emperors in Vienna and later Prague, also working as court decorator and costume designer, before retiring to Milan in 1587. He is known for composite heads built from fruit, vegetables, flowers, fish and books, including the series The Four Seasons and The Four Elements, and the Librarian. His work is held by the Kunsthistorisches Museum in Vienna, the Louvre and the Uffizi.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A dark cap sits on the head and sheets of paper stand in for a collar. A brown fur-trimmed coat covers a dark patterned jacket, and a stack of books tied with a yellow cord forms the bottom edge, against an olive-green ground.\u003c\/p\u003e\u003cp\u003eArcimboldo's allegorical paintings were held in high esteem by Maximilian II and Rudolf II, and this one belonged to the imperial collections in Prague before it came to Sweden after the Thirty Years' War. The Nationalmuseum notes that the sitter could possibly be Ulrich Zasius, a lawyer in the imperial administration.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1566; Nationalmuseum, Stockholm.\u003c\/p\u003e\u003cp\u003eGiuseppe Arcimboldo (1527–1593) was an Italian Mannerist painter, born in Milan. He began by designing stained glass and frescoes for Milanese cathedrals alongside his father, Biagio, and designed tapestries for Como and Monza cathedrals in 1558. From 1562 he served as court portraitist to the Habsburg emperors in Vienna and later Prague, also working as court decorator and costume designer, before retiring to Milan in 1587. He is known for composite heads built from fruit, vegetables, flowers, fish and books, including the series The Four Seasons and The Four Elements, and the Librarian. His work is held by the Kunsthistorisches Museum in Vienna, the Louvre and the Uffizi.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A bunch of green grapes and a raspberry hang at the left, with red apples, plums, a pair of cherries and ivy leaves at the right. Two sheaves of wheat, tied at the shoulders, hang down the chest, framing pink, white and red flowers at its centre.\u003c\/p\u003e\u003cp\u003eArcimboldo painted it around 1590, after returning to his native Milan, and it is one of his last works. His friend Gregorio Comanini described it at length in a dialogue published in 1591. The National Gallery of Art finds it darker and more somber than the whimsy of much of his work; it was rediscovered in an English collection in 2006 and acquired by the Gallery in 2010.\u003c\/p\u003e\u003cp\u003eThe original: oil on panel, about 1590; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eGiuseppe Arcimboldo (1527–1593) was an Italian Mannerist painter, born in Milan. 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