{"title":"Harry Clarke Prints","description":"\u003cp\u003eFine art prints by Harry Clarke. Every work in our Harry Clarke collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"harry-clarke-tales-of-mystery-and-imagination-the-boat-appeared-to-be-hanging-as-if-by-magic-gothic-illustration-print","title":"Harry Clarke — Tales of Mystery and Imagination: The Boat Appeared to Be Hanging, as if by Magic | Gothic Illustration Print","description":"\u003cp\u003eSeen from above, a whirlpool funnels down into black depths, its walls drawn as thousands of curving cream lines and broken dashes that spiral toward a vanishing centre. High on the left of the rim a small boat tilts on the slope of water, while lower down a man clutches a barrel, a second cask rides the current below him and pale scraps of wreckage whirl in the dark. It is rendered entirely in black and cream, and illustrates Poe's A Descent into the Maelström.\u003c\/p\u003e\u003cp\u003eHarry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator, born in Dublin, the son of a church decorator whose business he joined as a boy. He studied at the Dublin Metropolitan School of Art and made his name with eleven windows for the Honan Chapel at University College Cork (1915–17); later glass includes The Eve of St Agnes, after Keats, and the Geneva Window. As an illustrator he drew Andersen's Fairy Tales (1916) and Poe's Tales of Mystery and Imagination, whose 1923 edition made his reputation, drawing on Art Nouveau and French Symbolism. He died of tuberculosis at 41. His work is held by the Hugh Lane Gallery, the National Gallery of Ireland and the Wolfsonian in Miami.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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A long rapier blade runs from his chest to the clawed hands of his gaunt double at right, who wears a striped headcloth and grips a hilt with a curved guard, his pale drapery dissolving into dripping lines. Every form is picked out in cream line and stippling. It illustrates Poe's William Wilson.\u003c\/p\u003e\u003cp\u003eHarry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator, born in Dublin, the son of a church decorator whose business he joined as a boy. He studied at the Dublin Metropolitan School of Art and made his name with eleven windows for the Honan Chapel at University College Cork (1915–17); later glass includes The Eve of St Agnes, after Keats, and the Geneva Window. As an illustrator he drew Andersen's Fairy Tales (1916) and Poe's Tales of Mystery and Imagination, whose 1923 edition made his reputation, drawing on Art Nouveau and French Symbolism. He died of tuberculosis at 41. His work is held by the Hugh Lane Gallery, the National Gallery of Ireland and the Wolfsonian in Miami.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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From the right a bald man reaches out with both hands, followed by a bearded man and a woman who presses a hand to her face; a shadowy figure with pale eyes looms by the bedhead, and a tiny silhouette stands in a lit doorway high on the right. It illustrates Poe's The Facts in the Case of M. Valdemar.\u003c\/p\u003e\u003cp\u003eHarry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator, born in Dublin, the son of a church decorator whose business he joined as a boy. He studied at the Dublin Metropolitan School of Art and made his name with eleven windows for the Honan Chapel at University College Cork (1915–17); later glass includes The Eve of St Agnes, after Keats, and the Geneva Window. As an illustrator he drew Andersen's Fairy Tales (1916) and Poe's Tales of Mystery and Imagination, whose 1923 edition made his reputation, drawing on Art Nouveau and French Symbolism. He died of tuberculosis at 41. His work is held by the Hugh Lane Gallery, the National Gallery of Ireland and the Wolfsonian in Miami.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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A brown wolf with pricked ears stops beside her, his muzzle close to her skirt. Four red-headed, yellow-winged birds fly among trunks hung with pink and green growth, more birds perch at the edges, and two tiny figures stand far off on a distant path. It illustrates Perrault's Little Red Riding Hood.\u003c\/p\u003e\u003cp\u003eHarry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator, born in Dublin, the son of a church decorator whose business he joined as a boy. He studied at the Dublin Metropolitan School of Art and made his name with eleven windows for the Honan Chapel at University College Cork (1915–17); later glass includes The Eve of St Agnes, after Keats, and the Geneva Window. As an illustrator he drew Andersen's Fairy Tales (1916) and Poe's Tales of Mystery and Imagination, whose 1923 edition made his reputation, drawing on Art Nouveau and French Symbolism. He died of tuberculosis at 41. 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Violet, pink and deep blue dominate, lit by patches of coral orange netted with black and small jade-green accents. A large butterfly with dotted pink wings and jade spots sits left of centre, and the forms interlock with no single focal point. It was drawn as a textile pattern for Sefton Fabrics of Belfast.\u003c\/p\u003e\u003cp\u003eHarry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator, born in Dublin, the son of a church decorator whose business he joined as a boy. He studied at the Dublin Metropolitan School of Art and made his name with eleven windows for the Honan Chapel at University College Cork (1915–17); later glass includes The Eve of St Agnes, after Keats, and the Geneva Window. As an illustrator he drew Andersen's Fairy Tales (1916) and Poe's Tales of Mystery and Imagination, whose 1923 edition made his reputation, drawing on Art Nouveau and French Symbolism. He died of tuberculosis at 41. 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