{"title":"Hashiguchi Goyō Prints","description":"\u003cdiv class=\"artist-bio\"\u003e\n\u003ch2\u003eAbout Hashiguchi Goyō\u003c\/h2\u003e\n\u003cp\u003eHashiguchi Goyō (1880–1921) was a Japanese painter and print designer born in Kagoshima. He studied Kanō-school painting as a boy, and in 1899 moved to Tokyo to study with the painter Hashimoto Gahō. On the advice of Kuroda Seiki he turned to Western-style painting and studied at the Tokyo School of Fine Arts, graduating at the top of his class.\u003c\/p\u003e\n\u003cp\u003eGoyō is known for his woodblock prints of women. His first print, Woman at the Bath (1915), was published by Watanabe Shōzaburō and is regarded as one of the first shin-hanga prints, the movement that revived the Japanese woodblock print in the 20th century. He then set up his own workshop and self-published his later designs, including Yabakei (1918) and Woman Combing Her Hair (1920). He completed about 14 prints in his lifetime. His work is held by the National Museum of Asian Art in Washington.\u003c\/p\u003e\n\u003c\/div\u003e\u003cp\u003eHashiguchi Goyō prints: reproductions of the Japanese shin-hanga woodblock prints Goyō designed between 1915 and 1920. The collection includes Woman at the Bath (1915), Yabakei (1918), Woman Combing Her Hair (1920), Woman After a Bath (1920) and Evening Moon over Kōbe (1920).\u003c\/p\u003e\u003cp\u003eOur selection centres on his studies of women bathing and combing their hair, alongside two landscapes: the river gorge of Yabakei and the harbour city of Kōbe under an evening moon. The figure prints show the close attention to hair, hands and pose that came from his training in both Japanese and Western painting.\u003c\/p\u003e\u003cp\u003eThe figure prints suit bedrooms, bathrooms and dressing rooms, and the landscapes suit studies and hallways. All prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"hashiguchi-goyo-evening-moon-over-kobe-japanese-woodblock-print-shin-hanga","title":"Hashiguchi Goyō — Evening Moon over Kōbe | Japanese Woodblock Print (Shin Hanga)","description":"\u003cp\u003eA thin crescent moon hangs in a blue sky that warms to apricot above layered grey hills. In the centre a dark, drooping willow rises behind the tiled roofs of wooden houses, a smaller willow standing at the right. At the lower left a barred window glows pink in the nearest house, and a pale patch of water shows beyond the hills at the far left. A vertical inscription with a small red-bordered cartouche and a round red seal sits at the right.\u003c\/p\u003e\u003cp\u003eThe original: woodblock print, January 1920; Minneapolis Institute of Art, Minneapolis.\u003c\/p\u003e\u003cp\u003eHashiguchi Goyō (1880–1921) was a Japanese painter, book designer and print designer, and one of the first artists of shin-hanga, the twentieth-century revival of the woodblock print. Born in Kagoshima, he trained in Western-style painting at the Tokyo School of Fine Arts, graduating in 1905, and made his name designing books, among them Natsume Sōseki's I Am a Cat. Years spent studying and reproducing the ukiyo-e masters led to his first print, published by Watanabe Shōzaburō in 1915; after it he supervised his own carvers and printers. He completed only a small group of prints, most of them women at their toilette, before his death at forty. His work is held by the Minneapolis Institute of Art, the Art Institute of Chicago and the British Museum.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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A small figure in a round straw hat and blue clothes walks on at the left. Rust-red rock masses and grey boulders edge a river, with a plank bridge at the left, thatched roofs on the far hills and a grey mountain above. Bright green grass fills the foreground. The inscription and a red seal are at the lower left.\u003c\/p\u003e\u003cp\u003eThe original: woodblock print, 1918; Minneapolis Institute of Art, Minneapolis.\u003c\/p\u003e\u003cp\u003eHashiguchi Goyō (1880–1921) was a Japanese painter, book designer and print designer, and one of the first artists of shin-hanga, the twentieth-century revival of the woodblock print. Born in Kagoshima, he trained in Western-style painting at the Tokyo School of Fine Arts, graduating in 1905, and made his name designing books, among them Natsume Sōseki's I Am a Cat. Years spent studying and reproducing the ukiyo-e masters led to his first print, published by Watanabe Shōzaburō in 1915; after it he supervised his own carvers and printers. 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Her black hair is gathered in a high knot with a pale comb. A larger blue cloth printed with pale flowers and wavy white lines gathers at her hips and falls to both sides over an orange flowered cushion with a tassel, on a yellow floor against a pale grey-lilac ground. The signature and date are brushed in a vertical line at lower left, above a red seal.\u003c\/p\u003e\u003cp\u003eThe original: woodblock print with mica, July 1920; Minneapolis Institute of Art, Minneapolis.\u003c\/p\u003e\u003cp\u003eHashiguchi Goyō (1880–1921) was a Japanese painter, book designer and print designer, and one of the first artists of shin-hanga, the twentieth-century revival of the woodblock print. Born in Kagoshima, he trained in Western-style painting at the Tokyo School of Fine Arts, graduating in 1905, and made his name designing books, among them Natsume Sōseki's I Am a Cat. 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