{"title":"J.M.W. Turner Prints","description":"\u003cp\u003eFine art prints by J.M.W. Turner. Every work in our J.M.W. Turner collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"j-m-w-turner-lake-of-zug-fine-art-print","title":"J.M.W. Turner — Lake of Zug | Fine Art Print","description":"\u003cp\u003eA wide lake mirrors a pale golden sky and distant snow-capped peaks rising behind a lakeside town. Warm haze softens the far shore, while sunlit hills and cliffs frame the water at the right. In the foreground, small figures gather and wade at the rocky shore, with a rowboat adrift on the open water at the left and a second boat beached beneath the cliffs at the right.\u003c\/p\u003e\u003cp\u003eJ.M.W. Turner (1775–1851) was an English Romantic landscape and marine painter. Admitted to the Royal Academy Schools at fourteen, he trained under the topographical draughtsman Thomas Malton and studied old masters through the collection of his patron Thomas Monro. Over his career his landscapes and seascapes moved from careful topographical precision toward an increasingly loose, luminous treatment of light, weather and atmosphere that later influenced the Impressionists. He bequeathed his studio's contents, some 100 finished oils, 200 unfinished paintings and more than 19,000 drawings and watercolours, to the nation; his work is held by Tate Britain, in the Clore Gallery built for the bequest, and by the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Over his career his landscapes and seascapes moved from careful topographical precision toward an increasingly loose, luminous treatment of light, weather and atmosphere that later influenced the Impressionists. He bequeathed his studio's contents, some 100 finished oils, 200 unfinished paintings and more than 19,000 drawings and watercolours, to the nation; his work is held by Tate Britain, in the Clore Gallery built for the bequest, and by the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Over his career his landscapes and seascapes moved from careful topographical precision toward an increasingly loose, luminous treatment of light, weather and atmosphere that later influenced the Impressionists. He bequeathed his studio's contents, some 100 finished oils, 200 unfinished paintings and more than 19,000 drawings and watercolours, to the nation; his work is held by Tate Britain, in the Clore Gallery built for the bequest, and by the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Turner — Liber Studiorum: The Source of the Arveron in the Valley of Chamouni, Savoy | Mezzotint Print","description":"\u003cp\u003eDark spruces crowd a boulder-strewn slope at right, and in the centre tall, bare-topped trunks stand silhouetted against a glacier that spills in broken white waves down the valley floor. Beyond, sheer rock walls climb at left to a cluster of sunlit, snow-streaked peaks under drifting cloud, and small fields stripe the flat ground at far left. Printed in warm brown ink, the plate belongs to Turner's Liber Studiorum, his published series of landscape studies, and was published on 1 January 1816.\u003c\/p\u003e\u003cp\u003eThe original: etching and mezzotint, published 1816, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJ.M.W. Turner (1775–1851) was an English Romantic landscape and marine painter. 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Over his career his landscapes and seascapes moved from careful topographical precision toward an increasingly loose, luminous treatment of light, weather and atmosphere that later influenced the Impressionists. He bequeathed his studio's contents, some 100 finished oils, 200 unfinished paintings and more than 19,000 drawings and watercolours, to the nation; his work is held by Tate Britain, in the Clore Gallery built for the bequest, and by the National Gallery, London.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Turner — Flüelen, from the Lake of Lucerne | Landscape Fine Art Print","description":"\u003cp\u003eA vast swirl of grey and violet mist curls round a luminous white opening in the sky above a dark mountainside at the left. Along the shore below, the pale houses of a town and a church spire are mirrored in the lake. Figures crowd a boat under an arched canopy at the right, long oars reaching across the water, while at the left a small boat with two figures passes a pile of cut timber. Gold and red wash the near water, cooling to blue at the right.\u003c\/p\u003e\u003cp\u003eIt belongs to a group of highly finished watercolours that Turner made from several summer trips to Switzerland between 1841 and 1845, late in his life. By the time he painted it, he was regarded in England as the leading master of Romantic landscape painting.\u003c\/p\u003e\u003cp\u003eThe original: watercolour with gouache and scratch-away, 1845, Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eJ.M.W. 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