{"title":"James Ensor Prints","description":"\u003cp\u003eFine art prints by James Ensor (Belgian, 1860–1949). Every work in our James Ensor collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"james-ensor-the-astonishment-of-the-mask-wouse-fine-art-print","title":"James Ensor — The Astonishment of the Mask Wouse | Fine Art Print","description":"\u003cp\u003eA tall masked figure stands in profile in a bare room, a long pink beak of a nose under a white bonnet, a red parasol on one shoulder and a brown fringed shawl over red and pale blue skirts, hands spread in surprise. At the right lies a heap of cast-off costumes, a violin, a wooden pipe, a green glass lying on its side and a skull. Grinning masks peer in at both edges and hang on the walls before a green hanging painted with red and white flowers and long-tailed birds. Signed and dated lower left.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1889; Royal Museum of Fine Arts Antwerp (KMSKA).\u003c\/p\u003e\u003cp\u003eJames Ensor (1860–1949) was a Belgian painter and printmaker, and a founding member of the avant-garde group Les XX. Trained at the Académie Royale des Beaux-Arts in Brussels (1877–80), he lived and worked for most of his life in the seaside town of Ostend. He painted carnival masks, skeletons and crowd scenes in a style that moved from Symbolism toward Expressionism, most famously in Christ's Entry into Brussels in 1889 (1888). His work is held by the Museum of Modern Art in New York, the Royal Museums of Fine Arts of Belgium in Brussels, and the Musée d'Orsay in Paris.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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The skull at the left is bare and yellowed, rising from a red coat; the one at the right wears a tall black fur cap with a silver badge above a green coat edged in red. Behind them the sky is brushed in streaks of pink, white and blue. Ensor's name is lettered at the right.\u003c\/p\u003e\u003cp\u003eThe original: oil on panel, 1891; Royal Museums of Fine Arts of Belgium, Brussels.\u003c\/p\u003e\u003cp\u003eJames Ensor (1860–1949) was a Belgian painter and printmaker, and a founding member of the avant-garde group Les XX. Trained at the Académie Royale des Beaux-Arts in Brussels (1877–80), he lived and worked for most of his life in the seaside town of Ostend. He painted carnival masks, skeletons and crowd scenes in a style that moved from Symbolism toward Expressionism, most famously in Christ's Entry into Brussels in 1889 (1888). 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