{"title":"Jean-Siméon Chardin Prints","description":"\u003cp\u003eFine art prints by Jean-Siméon Chardin (French, 1699–1779). Every work in our Jean-Siméon Chardin collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"jean-simeon-chardin-the-silver-goblet-fine-art-print","title":"Jean-Siméon Chardin — The Silver Goblet | Fine Art Print","description":"\u003cp\u003eA tall glass bottle with dark contents stands at the back of a grey stone ledge, in front of a warm brown wall. A silver goblet reflects the fruit at its base: two peaches, a cluster of red cherries, a nut and a small berry. At the right a halved apricot and a whole one lean against a blue-green fruit with a bent stalk, and a second small bunch of cherries lies apart at the lower left.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, c. 1728; Saint Louis Art Museum, St. Louis.\u003c\/p\u003e\u003cp\u003eJean-Siméon Chardin (1699–1779) was a French painter who spent his life in Paris. Admitted to the Royal Academy in 1728 as a painter of animals and fruit, he became the century's great master of still life — kitchen vessels, game and fruit painted with a grainy, luminous touch — and from the 1730s of quiet domestic scenes of servants, mothers and children at their tasks. Late in life he turned to pastel portraits, including his celebrated self-portraits. 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At the centre four peaches are stacked on a bed of green leaves, one balanced on top, beside a bunch of pale green grapes hanging over the edge of the ledge and a smaller bunch of dark ones. The signature is painted in dark letters at the lower left of the ledge, against a deep brown ground.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, about 1759–1760; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eJean-Siméon Chardin (1699–1779) was a French painter who spent his life in Paris. Admitted to the Royal Academy in 1728 as a painter of animals and fruit, he became the century's great master of still life — kitchen vessels, game and fruit painted with a grainy, luminous touch — and from the 1730s of quiet domestic scenes of servants, mothers and children at their tasks. Late in life he turned to pastel portraits, including his celebrated self-portraits. 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At the left a small round table under a white cloth holds a loaf of bread, a pale blue jug and a plate with a stemmed glass. A copper pan lies behind it, a lidded brown pot sits on the floor, and a wooden cabinet and chair fill the right.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1747; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eJean-Siméon Chardin (1699–1779) was a French painter who spent his life in Paris. Admitted to the Royal Academy in 1728 as a painter of animals and fruit, he became the century's great master of still life — kitchen vessels, game and fruit painted with a grainy, luminous touch — and from the 1730s of quiet domestic scenes of servants, mothers and children at their tasks. Late in life he turned to pastel portraits, including his celebrated self-portraits. 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At the left a lidded wooden pail holds a blue-and-white cup and a dark bottle, and a white napkin falls over the right side of the table. The ground is a deep brown, with a warmer floor.\u003c\/p\u003e\u003cp\u003eThe Art Institute of Chicago says this early still life borrows motifs common in seventeenth-century Dutch and Flemish painting, including the foreshortened knife with its handle over the table's edge, the overturned glass and the remains of a meal. The unusual shape reveals its original function as a screen for a fireplace opening: seen at floor level, it would have looked like a table set back into the hearth.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, c. 1731–32; Art Institute of Chicago, Chicago.\u003c\/p\u003e\u003cp\u003eJean-Siméon Chardin (1699–1779) was a French painter who spent his life in Paris. 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