{"title":"John Mix Stanley Prints","description":"\u003cp\u003eFine art prints by John Mix Stanley. Every work in our John Mix Stanley collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"john-mix-stanley-ko-rak-koo-kiss-a-towoccono-warrior-western-art-print","title":"John Mix Stanley — Ko-rak-koo-kiss, a Towoccono Warrior | Western Art Print","description":"\u003cp\u003eA Towoccono rider gallops a black horse to the left across a dry, ochre plain, raising high a lance trimmed with red cloth and feathers. He wears a fringed buckskin shirt, blue-striped leggings and a red blanket that streams behind his shoulders; his black hair is parted in the centre. Dust lifts behind the horse's hooves. Low scrub and a prickly pear with red fruit fill the foreground, and pale mountains fade into the distance under a bright, cloud-washed sky.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1844, Smithsonian American Art Museum.\u003c\/p\u003e\u003cp\u003eJohn Mix Stanley (1814–1872) was an American painter of the West. Born in Canandaigua, New York, he was apprenticed to a coachmaker, then worked in Detroit as a sign and portrait painter. He painted Indigenous subjects at Fort Snelling in 1839 and at Fort Gibson in Indian Territory from 1842 to 1845, recording the 1843 council at Tahlequah, and in 1846 joined Colonel Stephen Kearny's expedition to California, going on to Oregon and Hawaii. In 1853–54 he was artist to Isaac Stevens's Pacific Railroad Survey. His Indian Gallery, left at the Smithsonian after Congress declined to buy it, was destroyed in the 1865 fire there. 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In the foreground a group of women sit close together on the grass in hide dresses trimmed with blue, one drawing on a long pipe. Three more sit and recline at right, and farther back people stand among the lodges beside two horses and a wall of red-brown hides. Cloud drifts across a blue sky.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1870s, Detroit Institute of Arts.\u003c\/p\u003e\u003cp\u003eJohn Mix Stanley (1814–1872) was an American painter of the West. Born in Canandaigua, New York, he was apprenticed to a coachmaker, then worked in Detroit as a sign and portrait painter. He painted Indigenous subjects at Fort Snelling in 1839 and at Fort Gibson in Indian Territory from 1842 to 1845, recording the 1843 council at Tahlequah, and in 1846 joined Colonel Stephen Kearny's expedition to California, going on to Oregon and Hawaii. In 1853–54 he was artist to Isaac Stevens's Pacific Railroad Survey. His Indian Gallery, left at the Smithsonian after Congress declined to buy it, was destroyed in the 1865 fire there. His work is held by the Metropolitan Museum of Art, the Gilcrease Museum and the Detroit Institute of Arts.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Around him a large crowd sits and stands beneath tall trees, many in red headscarves, feathers and bead necklaces; women watch from a roofed wooden stand at the upper left, and riders wait on white horses behind. Stanley shows him defending himself against a charge of witchcraft.\u003c\/p\u003e\u003cp\u003eRed Jacket (1758–1830) was a leader of the Seneca, one of the nations of the Iroquois. The Smithsonian American Art Museum notes that Stanley trained as a portrait painter and that every figure in this crowd is a portrait of an identifiable individual. The red jacket under the white robe was given to him by a British officer for his help as a messenger during the American Revolution.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1869, Smithsonian American Art Museum.\u003c\/p\u003e\u003cp\u003eJohn Mix Stanley (1814–1872) was an American painter of the West. Born in Canandaigua, New York, he was apprenticed to a coachmaker, then worked in Detroit as a sign and portrait painter. He painted Indigenous subjects at Fort Snelling in 1839 and at Fort Gibson in Indian Territory from 1842 to 1845, recording the 1843 council at Tahlequah, and in 1846 joined Colonel Stephen Kearny's expedition to California, going on to Oregon and Hawaii. In 1853–54 he was artist to Isaac Stevens's Pacific Railroad Survey. His Indian Gallery, left at the Smithsonian after Congress declined to buy it, was destroyed in the 1865 fire there. His work is held by the Metropolitan Museum of Art, the Gilcrease Museum and the Detroit Institute of Arts.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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One, wrapped in a red blanket with a bow at his side, holds a smoking bundle high over his head, sending a dark plume into the air. Beside him a second man, in a green blanket and a headdress of four eagle feathers, shades his eyes with one hand and looks out over the misty blue land below. Down the slope at the right two riders carrying lances come up toward them.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1860, Detroit Institute of Arts.\u003c\/p\u003e\u003cp\u003eJohn Mix Stanley (1814–1872) was an American painter of the West. Born in Canandaigua, New York, he was apprenticed to a coachmaker, then worked in Detroit as a sign and portrait painter. He painted Indigenous subjects at Fort Snelling in 1839 and at Fort Gibson in Indian Territory from 1842 to 1845, recording the 1843 council at Tahlequah, and in 1846 joined Colonel Stephen Kearny's expedition to California, going on to Oregon and Hawaii. In 1853–54 he was artist to Isaac Stevens's Pacific Railroad Survey. His Indian Gallery, left at the Smithsonian after Congress declined to buy it, was destroyed in the 1865 fire there. His work is held by the Metropolitan Museum of Art, the Gilcrease Museum and the Detroit Institute of Arts.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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The nearer, one arm braced against the rock, lowers a dead buck by a hind leg over the edge, its antlered head hanging toward the ferns. Above him a second man in a red headcloth, rifle in hand and hatchet at his belt, holds out an arm for balance and looks down. Both wear pale fringed hide shirts and eagle feathers. A waterfall drops through the trees behind. It is signed and dated 1868 at lower left.\u003c\/p\u003e\u003cp\u003eJohn Mix Stanley (1814–1872) was an American painter of the West. Born in Canandaigua, New York, he was apprenticed to a coachmaker, then worked in Detroit as a sign and portrait painter. He painted Indigenous subjects at Fort Snelling in 1839 and at Fort Gibson in Indian Territory from 1842 to 1845, recording the 1843 council at Tahlequah, and in 1846 joined Colonel Stephen Kearny's expedition to California, going on to Oregon and Hawaii. In 1853–54 he was artist to Isaac Stevens's Pacific Railroad Survey. 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