{"title":"Joris Hoefnagel Prints","description":"\u003cp\u003eFine art prints by Joris Hoefnagel. Every work in our Joris Hoefnagel collection is printed to order. All chosen by hand, with free shipping and import duties included.\u003c\/p\u003e","products":[{"product_id":"joris-hoefnagel-caterpillar-dog-tooth-violet-pear-and-apricot-botanical-calligraphy-print","title":"Joris Hoefnagel — Caterpillar, Dog-Tooth Violet, Pear, and Apricot | Botanical Calligraphy Print","description":"\u003cp\u003eSeven lines of black script, wreathed in fine gold pen flourishes and opened by a large pale-blue calligraphic initial, fill the upper half of the vellum page. Below, the painting takes over: a nodding white dog-tooth violet on a long arching stalk, a striped caterpillar hanging beside it, a yellow pear blushed with red, a speckled orange apricot, and between them a feathery-leaved stem carrying a white flower with pink-tipped petals. The pear, the apricot and the stem cast soft grey shadows on the bare page.\u003c\/p\u003e\u003cp\u003eGeorg Bocskay, court secretary to the Holy Roman Emperor Ferdinand I, wrote this model book of scripts in Vienna in 1561–62 to show the range of hands he commanded. About thirty years later Ferdinand's grandson, Emperor Rudolf II, commissioned Joris Hoefnagel to add fruit, flowers and insects to nearly every page, each composed to balance the writing around it.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from the Mira calligraphiae monumenta (Model Book of Calligraphy), watercolours, gold and silver paint and ink on parchment, written by Georg Bocskay in Vienna in 1561–62 and illuminated 1591–96; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eJoris Hoefnagel (1542–1600) was a Flemish artist, poet and traveller, the last major Flemish manuscript illuminator and one of the first artists to paint still life. Born to a wealthy merchant family, he recorded his travels in topographical drawings later used for a six-volume atlas, and served as court artist first to Albert V, duke of Bavaria, and from 1591 to Emperor Rudolf II. For Rudolf he painted flowers, fruit and insects onto the pages of a calligraphy model book written thirty years earlier by Georg Bocskay, now in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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To its right, a pink martagon lily speckled with purple hangs from a curved stalk, its orange stamens dangling, above two blocks of black script crowned with flourishes. At the bottom right sits a large ribbed red tomato, its green-brown calyx at the top and a soft shadow at its side.\u003c\/p\u003e\u003cp\u003eThe leaf belongs to the Mira calligraphiae monumenta, a model book of writing made in Vienna in 1561–62 by Georg Bocskay, secretary to Emperor Ferdinand I. Around 1591–96 Emperor Rudolf II had Joris Hoefnagel illuminate it, a pairing of scribe and painter the Getty counts among the most unusual in the history of manuscript illumination.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from the Mira calligraphiae monumenta (Model Book of Calligraphy), watercolours, gold and silver paint and ink on parchment, written by Georg Bocskay in Vienna in 1561–62 and illuminated 1591–96; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eJoris Hoefnagel (1542–1600) was a Flemish artist, poet and traveller, the last major Flemish manuscript illuminator and one of the first artists to paint still life. Born to a wealthy merchant family, he recorded his travels in topographical drawings later used for a six-volume atlas, and served as court artist first to Albert V, duke of Bavaria, and from 1591 to Emperor Rudolf II. For Rudolf he painted flowers, fruit and insects onto the pages of a calligraphy model book written thirty years earlier by Georg Bocskay, now in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Below it a full pink French rose and a tight bud rise on a bristly stem, a damselfly with grey wings and a blue-and-black body clinging head-down to the open bloom. At the lower left a spiny chestnut husk splits to show a glossy brown nut, while a small brown spider hangs on a single thread beside the stem, fine strands of web strung across the vellum.\u003c\/p\u003e\u003cp\u003eBocskay wrote the script in Vienna in 1561–62; some thirty years later Emperor Rudolf II asked Joris Hoefnagel to paint the book's pages with natural specimens. His fruit, flowers and insects complemented Rudolf's celebrated cabinet of curiosities, with its shells, fossils and bones, and the Getty notes that they influenced the development of Netherlandish still-life painting.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from the Mira calligraphiae monumenta (Model Book of Calligraphy), watercolours, gold and silver paint and ink on parchment, written by Georg Bocskay in Vienna in 1561–62 and illuminated 1591–96; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eJoris Hoefnagel (1542–1600) was a Flemish artist, poet and traveller, the last major Flemish manuscript illuminator and one of the first artists to paint still life. Born to a wealthy merchant family, he recorded his travels in topographical drawings later used for a six-volume atlas, and served as court artist first to Albert V, duke of Bavaria, and from 1591 to Emperor Rudolf II. 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A blue bird with spread wings tops the frame and dangles, on a long cord, a fantastical winged creature with a scaled body and a long beak, perched over a gold arrow. Pink grotesque heads, blue scrolls, red berry clusters, a caterpillar and tiny flying insects fill the margins, and at the bottom a small long-eared dog in a jewelled collar sits with one paw raised.\u003c\/p\u003e\u003cp\u003eThis page comes from the section Joris Hoefnagel added to Georg Bocskay's model book of calligraphy about 1591–96, showing how to construct the letters of the alphabet in upper- and lowercase. Emperor Rudolf II had commissioned him to illuminate the book, which Bocskay had written in Vienna in 1561–62 while court secretary to Emperor Ferdinand I.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from Joris Hoefnagel's alphabet section of the Mira calligraphiae monumenta (Model Book of Calligraphy), watercolours, gold and silver paint and ink on parchment, made in Vienna about 1591–96; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eJoris Hoefnagel (1542–1600) was a Flemish artist, poet and traveller, the last major Flemish manuscript illuminator and one of the first artists to paint still life. Born to a wealthy merchant family, he recorded his travels in topographical drawings later used for a six-volume atlas, and served as court artist first to Albert V, duke of Bavaria, and from 1591 to Emperor Rudolf II. For Rudolf he painted flowers, fruit and insects onto the pages of a calligraphy model book written thirty years earlier by Georg Bocskay, now in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eJoris Hoefnagel (1542–1600) was a Flemish artist, poet and traveller, the last major Flemish manuscript illuminator and one of the first artists to paint still life. Born to a wealthy merchant family, he recorded his travels in topographical drawings later used for a six-volume atlas, and served as court artist first to Albert V, duke of Bavaria, and from 1591 to Emperor Rudolf II. For Rudolf he painted flowers, fruit and insects onto the pages of a calligraphy model book written thirty years earlier by Georg Bocskay, now in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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