{"title":"José Guadalupe Posada Prints","description":"\u003cp\u003eFine art prints by José Guadalupe Posada. Every work in our José Guadalupe Posada collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"jose-guadalupe-posada-calaveras-de-coyotes-y-meseras-relief-print","title":"José Guadalupe Posada — Calaveras de coyotes y meseras | Relief Print","description":"\u003cp\u003eIn a wooded clearing, a grinning, whiskered skeleton with a furred body and a long tail, a flat-brimmed hat on its skull, clutches one skull to its chest and holds another beside its face while townspeople in sombreros, bonnets and shawls scatter on both sides. Skulls and bones cover the ground. Below, columns of verse are divided by a tall ornament and headed by skulls in hats, all printed in black on lilac paper. The heading translates as Skulls of Coyotes and Waitresses.\u003c\/p\u003e\u003cp\u003eThe original: relief-printed broadside, 1919, Library of Congress.\u003c\/p\u003e\u003cp\u003eJosé Guadalupe Posada (1851\/52–1913) was a Mexican printmaker, born in Aguascalientes, who learned lithography and engraving as an apprentice to José Trinidad Pedroza. After drawing political cartoons and running a print shop in León, he moved to Mexico City in 1888 and worked for the publisher Antonio Vanegas Arroyo, producing thousands of illustrations for broadsides, songsheets and cheap books. His calaveras, lively skeletons dressed for every trade and class, made the point that death takes everyone; the best known, La Calavera Catrina, was later taken up by Diego Rivera and became a figure of the Day of the Dead. 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Skeleton couples in shawls and sombreros flank the heading, and small vignettes of a newspaper reader, a cyclist on a high-wheeler and a guitar player frame the verses, in black on orange paper. The heading translates as Great Dance of Skeletons.\u003c\/p\u003e\u003cp\u003eThe original: type-metal engraving and letterpress on orange paper, 1906, The Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eJosé Guadalupe Posada (1851\/52–1913) was a Mexican printmaker, born in Aguascalientes, who learned lithography and engraving as an apprentice to José Trinidad Pedroza. After drawing political cartoons and running a print shop in León, he moved to Mexico City in 1888 and worked for the publisher Antonio Vanegas Arroyo, producing thousands of illustrations for broadsides, songsheets and cheap books. 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His calaveras, lively skeletons dressed for every trade and class, made the point that death takes everyone; the best known, La Calavera Catrina, was later taken up by Diego Rivera and became a figure of the Day of the Dead. His prints are held by the Metropolitan Museum of Art, the Art Institute of Chicago and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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His calaveras, lively skeletons dressed for every trade and class, made the point that death takes everyone; the best known, La Calavera Catrina, was later taken up by Diego Rivera and became a figure of the Day of the Dead. His prints are held by the Metropolitan Museum of Art, the Art Institute of Chicago and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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