{"title":"Karl Blossfeldt Prints","description":"\u003cp\u003eFine art prints by Karl Blossfeldt. Every work in our Karl Blossfeldt collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"karl-blossfeldt-aspidium-filix-mas-botanical-photograph-print","title":"Karl Blossfeldt — Aspidium filix mas | Botanical Photograph Print","description":"\u003cp\u003eTwo young fern fronds rise on thick, hairy stalks against a pale grey ground, each tip rolled into a tight spiral like the scroll of a violin. The taller frond at right curls over at the top of the picture; the shorter one coils at left. Below each spiral, half-opened leaflets hang in crinkled, scalloped tiers along the stems, fine hairs catching the light at their edges. Printed in photogravure for Blossfeldt's 1928 book Urformen der Kunst (Art Forms in Nature), plate 56.\u003c\/p\u003e\u003cp\u003eThe original: photogravure, 1928, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eKarl Blossfeldt (1865–1932) was a German photographer and teacher, born in Schielo. He trained in sculpture and iron casting, studied at the school of the Berlin Museum of Decorative Arts, and from 1890 worked in Rome under the ornament designer Moritz Meurer, photographing casts of plants. From 1898 he taught design in Berlin, building an archive of plant photographs for his students. Without photographic training, he used homemade cameras that magnified stems, buds and seed heads up to thirty times. First exhibited in 1926, the pictures were published as Urformen der Kunst (Art Forms in Nature, 1928) and were seen as forerunners of New Objectivity photography. 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First exhibited in 1926, the pictures were published as Urformen der Kunst (Art Forms in Nature, 1928) and were seen as forerunners of New Objectivity photography. His prints are held by the Metropolitan Museum of Art and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Light runs along the ridged, veined surfaces while the shaded edges turn almost black, so each curve reads like wrought iron. The tallest leaves reach nearly to the top of the picture. Printed in photogravure for Blossfeldt's 1928 book Urformen der Kunst (Art Forms in Nature), plate 45.\u003c\/p\u003e\u003cp\u003eThe original: photogravure, 1928, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eKarl Blossfeldt (1865–1932) was a German photographer and teacher, born in Schielo. He trained in sculpture and iron casting, studied at the school of the Berlin Museum of Decorative Arts, and from 1890 worked in Rome under the ornament designer Moritz Meurer, photographing casts of plants. From 1898 he taught design in Berlin, building an archive of plant photographs for his students. Without photographic training, he used homemade cameras that magnified stems, buds and seed heads up to thirty times. 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The central head has opened into a dense spray of pale florets fanning out above a scaled, bulbous base; two closed buds on curving side stems flank it, lower down, their overlapping bracts tipped with fine points. Pale, ribbed stalks meet in a fork below and run down to the bottom edge. Printed in photogravure for Blossfeldt's 1928 book Urformen der Kunst (Art Forms in Nature), plate 100.\u003c\/p\u003e\u003cp\u003eThe original: photogravure, 1928, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eKarl Blossfeldt (1865–1932) was a German photographer and teacher, born in Schielo. He trained in sculpture and iron casting, studied at the school of the Berlin Museum of Decorative Arts, and from 1890 worked in Rome under the ornament designer Moritz Meurer, photographing casts of plants. From 1898 he taught design in Berlin, building an archive of plant photographs for his students. 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