{"title":"Keisai Eisen Prints","description":"\u003cdiv class=\"artist-bio\"\u003e\n\u003ch2\u003eAbout Keisai Eisen\u003c\/h2\u003e\n\u003cp\u003eKeisai Eisen (1790–1848) was a Japanese ukiyo-e artist born in Edo, present-day Tokyo, the son of a calligrapher. He trained first with the Kanō-school painter Kanō Hakkeisai, from whom he took the name Keisai, and then joined the circle of the ukiyo-e artist Kikukawa Eizan, from whom the name Eisen came. He spent his career in Edo as a painter, print designer and book illustrator.\u003c\/p\u003e\n\u003cp\u003eEisen is known for bijin-ga, pictures of fashionable women, and for ōkubi-e, close-up portraits of women's heads and shoulders; his best-regarded figure prints date from the Bunsei era (1818–1830). He also designed landscapes and erotic prints. In the mid-1830s he began the landscape series The Sixty-nine Stations of the Kisokaidō, which Utagawa Hiroshige completed. His prints are held by museums including the Honolulu Museum of Art.\u003c\/p\u003e\n\u003c\/div\u003e\u003cp\u003eKeisai Eisen prints: reproductions of Japanese ukiyo-e woodblock prints by the Edo-period artist, covering landscapes and pictures of women. The collection includes Autumn Moon at Mount Atago and Twilight Snow at Shinobugaoka from the series Eight Views of Edo, Itahana from The Sixty-nine Stations of the Kisokaidō, Night Cherry Blossoms at Shin-Yoshiwara from Famous Places of the Eastern Capital, and Woman with a Writing Brush from A Contest of Beauties of the Floating World.\u003c\/p\u003e\u003cp\u003eOur selection covers Eisen's two main subjects: the seasons and landmarks of Edo and the mountain road of the Kisokaidō, and the women of the city. The landscapes show moonlight, snow, evening and cherry blossom at night; the figure print shows a woman holding a writing brush.\u003c\/p\u003e\u003cp\u003eThe landscapes suit hallways, studies and living rooms, and the beauty print works well in a bedroom or dressing room. All prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"keisai-eisen-eight-views-of-edo-twilight-snow-at-shinobugaoka-japanese-woodblock-print-ukiyo-e","title":"Keisai Eisen — Eight Views of Edo: Twilight Snow at Shinobugaoka | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eSnow covers the roofs and pines around a blue pond, with red-trimmed shrine buildings on a spit of land at the left. In the foreground men shovel snow beside a long wooden building, walkers shelter under round umbrellas, and a figure carrying baskets on a pole passes two small dogs. Eight white birds cross a grey sky that warms to brown above the far hills. A fan-shaped cartouche holds the title at the upper right; the signature and red seals are at the upper left.\u003c\/p\u003e\u003cp\u003eKeisai Eisen (1790–1848) was a Japanese ukiyo-e print designer and writer who worked in Edo. He is best known for his bijin-ga, large-headed portraits of courtesans and townswomen that set the taste of the 1820s, and for landscapes printed largely in Prussian blue. In 1835 he began The Sixty-nine Stations of the Kisokaidō, the series later completed by Utagawa Hiroshige. He also wrote popular fiction and a set of biographies of ukiyo-e artists. His work is held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. 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A crowd in indigo and grey robes fills the street, among them a woman in an orange-and-yellow patterned robe with tall hair ornaments and two attendants; a crowd queues at a gate at right. Two figures lean at a balcony window at upper left, and two cats cross the roof at lower right. A red series cartouche stands at upper left, with the title and signature at upper right.\u003c\/p\u003e\u003cp\u003eKeisai Eisen (1790–1848) was a Japanese ukiyo-e print designer and writer who worked in Edo. He is best known for his bijin-ga, large-headed portraits of courtesans and townswomen that set the taste of the 1820s, and for landscapes printed largely in Prussian blue. In 1835 he began The Sixty-nine Stations of the Kisokaidō, the series later completed by Utagawa Hiroshige. He also wrote popular fiction and a set of biographies of ukiyo-e artists. 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Her raised hand holds a yellow-handled writing brush. She wears a red robe dotted with white rings under a blue-green outer garment patterned with pale blue flowers. At the upper left a black title panel in a teal frame carries two red seals, the series title is brushed at the top centre, and the signature stands at the right.\u003c\/p\u003e\u003cp\u003eKeisai Eisen (1790–1848) was a Japanese ukiyo-e print designer and writer who worked in Edo. He is best known for his bijin-ga, large-headed portraits of courtesans and townswomen that set the taste of the 1820s, and for landscapes printed largely in Prussian blue. In 1835 he began The Sixty-nine Stations of the Kisokaidō, the series later completed by Utagawa Hiroshige. He also wrote popular fiction and a set of biographies of ukiyo-e artists. 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