{"title":"Korean Painting Prints","description":"\u003cp\u003eKorean painting prints from the Joseon dynasty, mainly the 18th and 19th centuries: Kim Hong-do (Danwon)'s tigers, genre scenes and Mount Geumgang album leaves, Sin Yun-bok (Hyewon)'s street life, outings and lovers by moonlight, and landscapes by Jeong Seon (Gyeomjae) and Jang Seung-eop (Owon). Beside the court and scholar painters hang the folk paintings (minhwa) of tigers and magpies, painted character panels, chaekgeori screens of books and scholars' objects, and Buddhist paintings of mountain gods and paradise assemblies.\u003c\/p\u003e\u003cp\u003eThe quiet ink landscapes and genre leaves suit bedrooms and reading corners; the bright chaekgeori and minhwa bring colour to a living room or hallway, and the tall scrolls fit narrow walls beside a window or door.\u003c\/p\u003e\u003cp\u003eAll prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"korean-painter-unidentified-tigress-with-two-cubs-korean-painting-art-print","title":"Korean painter (unidentified) — Tigress with Two Cubs | Korean Painting Art Print","description":"\u003cp\u003eA tigress sits on the bank of a river, drawn in ink on warm tan paper, her striped body facing right while her head swings back over her shoulder. Round eyes and a crooked fang give her a comic, watchful look. At the left one cub clambers head-first down the trunk of an old tree while a second clings lower down, peering up. Her long banded tail curls across the ground, and bamboo grass and a rocky outcrop fill the foreground.\u003c\/p\u003e\u003cp\u003eThe original: hanging scroll, ink on paper, 17th century, Minneapolis Institute of Art.\u003c\/p\u003e\u003cp\u003eMuch Korean painting of the Joseon dynasty (1392–1910) survives without an artist's name. Painters of the royal Bureau of Painting and others made screens and scrolls of birds and flowers, landscapes and the Four Gentlemen, plum, orchid, chrysanthemum and bamboo, for palaces and scholarly households, while Buddhist painters made taenghwa, hanging icons of buddhas and assemblies of deities for temple halls, passing their models down through stencils. In the eighteenth century true-view landscape turned to real Korean places such as the Diamond Mountains, and genre painting to everyday life. Examples are held by the Metropolitan Museum of Art, the Cleveland Museum of Art and Minneapolis Institute of Art.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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A bearded teacher in a tall black hat and white robe sits behind a low table, one hand resting on its edge, with a small dark book stand at its far end. In front of him a boy hunches with one hand raised to his eyes. Eight classmates sit on the floor in two curving rows with open books, most of them grinning, and one youth wears a wide-brimmed hat. The leaf is a scene from Kim Hong-do's album of everyday life.\u003c\/p\u003e\u003cp\u003eThe album gathers twenty-five scenes of ordinary Joseon life in ink and light colour, and Kim Hong-do leaves out the background so that attention falls on the figures and their round, smiling faces. Korea's heritage authority values the leaves as a record of how people lived and dealt with one another. The album was designated a Treasure of Korea in 1970 and is held by the National Museum of Korea in Seoul.\u003c\/p\u003e\u003cp\u003eThe original: album leaf, ink and light colour on paper, 18th century, National Museum of Korea, Seoul.\u003c\/p\u003e\u003cp\u003eKim Hong-do (1745–c. 1806), known by his art name Danwon, was a Korean court painter of the Joseon dynasty from the jungin, or middle, class. He studied as a boy with the painter and critic Kang Sehwang, entered the royal Bureau of Painting in his early twenties, and in 1771 painted the crown prince, the future King Jeongjo; he was a favourite of Yeongjo and Jeongjo. He painted landscapes, Buddhist and Daoist themes, portraits, flowers and animals, but is known above all for humorous, lively genre scenes of ordinary people at work and leisure, gathered in the album Genre Paintings by Danwon. He is counted among the Three Wons of Joseon painting. The album of 25 leaves is held by the National Museum of Korea.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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Stacks of books in yellow, purple, navy, pale blue and green patterned cases tower up each panel. Around them float a crackled blue vase of lotus, a vase of peacock feathers, a coral branch in a blue vase, brushes in holders, teapots, cups and a glass bowl with two fish, one blue and one gold. Narrow white gaps divide the panels.\u003c\/p\u003e\u003cp\u003eChaekgeori, meaning books and things, is a genre of Korean still-life painting, usually on folding screens, that flourished from the late eighteenth century into the first half of the twentieth. King Jeongjo (r. 1776–1800) is credited as its first patron; the early court screens painted bookcases in illusionistic depth, the first Korean use of European trompe l'oeil. Books share the shelves with bronzes, ceramics, seals and even European clocks. Most screens carry no name; a few painters hid their seals among the objects on the shelves. 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It was designated National Treasure No. 217 of Korea in 1984 and is held by Leeum, Samsung Museum of Art, Seoul.\u003c\/p\u003e\u003cp\u003eThe original: ink and light colour on paper, 1734, Leeum, Samsung Museum of Art, Seoul.\u003c\/p\u003e\u003cp\u003eJeong Seon (1676–1759), known by his art name Gyeomjae, was a Korean painter of the Joseon dynasty, born in Seoul to a gentry family of modest means. Journeys to the Diamond Mountains (Geumgangsan) in 1711 and 1712 produced albums that made his name, and he went on to serve as a district magistrate and to receive court rank from King Yeongjo. He is credited as the father of true-view landscape painting, which pictured real Korean places rather than idealised Chinese scenery, with bold brushwork, layered ink washes and dotted vegetation. His best-known works include General View of Mount Geumgang (1734) and Clearing after Rain on Mount Inwang (1751). 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Scenes such as Double-Sword Dance and Dano Day, with women bathing in a stream, were unusually sensual for Confucian Joseon. He also painted landscapes, shamanist rites and town life. His album of thirty genre paintings, Hyewon pungsokdo, is a National Treasure of Korea held by the Kansong Art Museum in Seoul.\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. 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