{"title":"Leonardo da Vinci Prints","description":"\u003cp\u003eFine art prints by Leonardo da Vinci. Every work in our Leonardo da Vinci collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"leonardo-da-vinci-mona-lisa-fine-art-print","title":"Leonardo da Vinci — Mona Lisa | Fine Art Print","description":"\u003cp\u003eA woman is shown from the waist up, seated with her hands folded before her. Dark waved hair falls past her shoulders beneath a sheer veil, and she wears a dark bodice with a pleated neckline. A faint smile plays at her mouth as she gazes toward the viewer. Behind her, a hazy blue-green landscape recedes into distant peaks, with a winding path and a river crossed by a small bridge at the right.\u003c\/p\u003e\u003cp\u003eLeonardo began the portrait about 1503 and it was still in his studio when he died in 1519; Francis I of France then acquired it, and it entered the Louvre at the turn of the nineteenth century. Britannica notes that its three-quarter view broke with the profile pose standard in Italian art and quickly became the convention. The traditional identification of the sitter as Lisa del Giocondo, first suggested by Vasari in 1550, remains unproven. Stolen in 1911, the painting was recovered in Florence two years later.\u003c\/p\u003e\u003cp\u003eLeonardo da Vinci (1452–1519) was a painter, draughtsman and engineer of the Florentine Renaissance. He trained in Florence in the workshop of Andrea del Verrocchio before working for the courts of Milan, Rome and France. His paintings are built on subtle transitions of light and shadow, known as sfumato, and on carefully studied anatomy and drapery, and drawings such as the Vitruvian Man show the same scientific observation he brought to his notebooks. His paintings and drawings are held by the Louvre, the Uffizi Gallery and the National Gallery, London.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Fine pen lines and pale wash render his musculature and curling hair, while dense mirror-written script fills the margins above and below the diagram. A small red circular stamp sits near the lower edge of the sheet.\u003c\/p\u003e\u003cp\u003eDrawn about 1490, the sheet takes up the Roman architect Vitruvius's proposal that a human figure fits perfectly inside a circle and a square. His treatise carried no illustrations, and other attempts to draw the figure distorted its limbs; Leonardo spent months measuring young men and offset the square from the circle instead. Britannica observes that the measurements he credits to Vitruvius are mostly his own findings. The drawing is kept at the Gallerie dell'Accademia in Venice and is rarely exhibited because of its fragility.\u003c\/p\u003e\u003cp\u003eLeonardo da Vinci (1452–1519) was a painter, draughtsman and engineer of the Florentine Renaissance. He trained in Florence in the workshop of Andrea del Verrocchio before working for the courts of Milan, Rome and France. His paintings are built on subtle transitions of light and shadow, known as sfumato, and on carefully studied anatomy and drapery, and drawings such as the Vitruvian Man show the same scientific observation he brought to his notebooks. His paintings and drawings are held by the Louvre, the Uffizi Gallery and the National Gallery, London.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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She wears a blue bodice with red sleeves and a yellow mantle against a dark interior, and the Child sits on an olive-gold cushion. Behind them two pairs of arched windows open on blue, craggy mountains, and a vase of flowers stands on the sill at the right.\u003c\/p\u003e\u003cp\u003eThe Alte Pinakothek counts this among the earliest panel paintings by Leonardo, made during his time in his teacher's workshop, and calls it an experiment in painting technique. The panel was once owned by Giulio de' Medici, later Pope Clement VII. The museum bought it in 1889 from Dr. A. Haug in Günzburg.\u003c\/p\u003e\u003cp\u003eThe original: oil on poplar panel, c. 1475; Alte Pinakothek, Munich.\u003c\/p\u003e\u003cp\u003eLeonardo da Vinci (1452–1519) was a painter, draughtsman and engineer of the Florentine Renaissance. He trained in Florence in the workshop of Andrea del Verrocchio before working for the courts of Milan, Rome and France. His paintings are built on subtle transitions of light and shadow, known as sfumato, and on carefully studied anatomy and drapery, and drawings such as the Vitruvian Man show the same scientific observation he brought to his notebooks. His paintings and drawings are held by the Louvre, the Uffizi Gallery and the National Gallery, London.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A dense juniper bush of spiky needles fills the space behind her head, and at the right a landscape opens onto a lake, russet trees, blue hills and a slender spire under a pale sky. She wears a brown bodice with gold edging and blue lacing, a sheer white layer at the neck and a black wrap.\u003c\/p\u003e\u003cp\u003eLeonardo painted this portrait in Florence between about 1474 and 1478; the juniper behind her head, ginepro in Italian, puns on the sitter's name. It was in the Liechtenstein princes' collection by 1733, and the National Gallery of Art in Washington bought it from Prince Franz Josef II in 1967. It is the only Leonardo painting on public view in the Americas. The bottom of the panel was cut down at some point, taking her hands.\u003c\/p\u003e\u003cp\u003eThe original: oil on panel, about 1474-78; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eLeonardo da Vinci (1452–1519) was a painter, draughtsman and engineer of the Florentine Renaissance. He trained in Florence in the workshop of Andrea del Verrocchio before working for the courts of Milan, Rome and France. His paintings are built on subtle transitions of light and shadow, known as sfumato, and on carefully studied anatomy and drapery, and drawings such as the Vitruvian Man show the same scientific observation he brought to his notebooks. His paintings and drawings are held by the Louvre, the Uffizi Gallery and the National Gallery, London.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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She wears a red dress with black knotted cords and a blue sleeve, and cradles a white ermine in the crook of her arm, its head turned the same way, her long fingers resting on its back. The ground is solid black, with a faint inscription at the upper left.\u003c\/p\u003e\u003cp\u003eThe portrait shows Cecilia Gallerani, lady-in-waiting and mistress of Duke Ludovico Sforza of Milan; scholars read the ermine as an allusion to the duke, who received the Order of the Ermine in 1488. The National Museum in Kraków calls it one of just over a dozen surviving Leonardo portraits and the only work by him in Polish collections. Adam Jerzy Czartoryski bought it in Italy around 1800.\u003c\/p\u003e\u003cp\u003eThe original: oil on wood panel, about 1490; Czartoryski Museum, National Museum in Kraków.\u003c\/p\u003e\u003cp\u003eLeonardo da Vinci (1452–1519) was a painter, draughtsman and engineer of the Florentine Renaissance. 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