{"title":"Lieven van Lathem Prints","description":"\u003cp\u003eFine art prints by Lieven van Lathem. Every work in our Lieven van Lathem collection is printed to order. All chosen by hand, with free shipping and import duties included.\u003c\/p\u003e","products":[{"product_id":"lieven-van-lathem-prayer-book-of-charles-the-bold-all-saints-illuminated-manuscript-print","title":"Lieven van Lathem — Prayer Book of Charles the Bold: All Saints | Illuminated Manuscript Print","description":"\u003cp\u003eSaints converge on a cross topped by a red cloth and the white Lamb of God in a green landscape: a pope, a cardinal and two crowned kings at the left, two bearded hermits seated at the right, armoured riders in the middle distance and women descending from a castle. Above, God the Father holds the dead Christ among saints on an orange cloud. In the gold border of acanthus and birds, angels play a pipe, an organ and a lute and sing from a red book.\u003c\/p\u003e\u003cp\u003eEarlier pictures of All Saints set the figures in an undifferentiated row; Lieven van Lathem broke with that tradition by dividing them into groups and placing them in a deep panoramic landscape, painted in an area of about three by two inches. The miniature introduces a prayer to All Saints.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from the Prayer Book of Charles the Bold, written in Ghent and illuminated in Antwerp in 1469, in tempera colours, gold leaf, gold and silver paint and ink. It is held by the J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eLieven van Lathem (about 1430–1493) was a Flemish illuminator, a member of the painters' guilds of Ghent and Antwerp, who worked for the dukes of Burgundy, Philip the Good and Charles the Bold. Influenced by Jan van Eyck and Dieric Bouts, he painted in fresh, intense colours with a lyrical naturalism, especially in his landscapes, and collaborated with the Master of Mary of Burgundy and Nicolas Spierinc. Miniatures he painted in 1469 are in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Tiny demons tumble through the blue sky, and above them angels in white flank an empty gold throne in a ring of flame. Two lines of Gothic script with a blue initial sit below, and the cream border teems with blue and gold acanthus, red flowers, a dragon, a bird and a seated ape.\u003c\/p\u003e\u003cp\u003eCharles the Bold, duke of Burgundy and a military commander, had a suffrage prayer to Saint Michael placed in his personal prayer book, and this miniature opens it. The illuminator carried the battle into the border, where fantastic beasts square up to one another in the same spirit as the fight above.\u003c\/p\u003e\u003cp\u003eThe original: a folio from the Prayer Book of Charles the Bold, tempera colours, gold leaf, gold paint, silver paint and ink on parchment, written in Ghent and illuminated in Antwerp in 1469; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eLieven van Lathem (about 1430–1493) was a Flemish illuminator, a member of the painters' guilds of Ghent and Antwerp, who worked for the dukes of Burgundy, Philip the Good and Charles the Bold. Influenced by Jan van Eyck and Dieric Bouts, he painted in fresh, intense colours with a lyrical naturalism, especially in his landscapes, and collaborated with the Master of Mary of Burgundy and Nicolas Spierinc. Miniatures he painted in 1469 are in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A woman in a blue gown with orange sleeves and a red headdress offers him a large gold cup; taloned feet show beneath her hem. A path climbs to a chapel behind, and a spired town stands across the water. The gold border teems with silver-grey acanthus, a dragon and a griffin.\u003c\/p\u003e\u003cp\u003eAccording to his biographer, Anthony withdrew to the Egyptian desert in the 300s and endured the devil's assaults in seductive and horrible visions. Van Lathem moved the hermit's retreat to the edge of a prosperous Flemish town of the 1400s and dressed the temptress in the fashion of his own day. The pig recalls the Hospitallers of Saint Anthony, whose animals a papal dispensation allowed to roam medieval towns.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from the Prayer Book of Charles the Bold, tempera colours, gold leaf, gold paint, silver paint and ink, written in Ghent and illuminated in Antwerp in 1469; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eLieven van Lathem (about 1430–1493) was a Flemish illuminator, a member of the painters' guilds of Ghent and Antwerp, who worked for the dukes of Burgundy, Philip the Good and Charles the Bold. Influenced by Jan van Eyck and Dieric Bouts, he painted in fresh, intense colours with a lyrical naturalism, especially in his landscapes, and collaborated with the Master of Mary of Burgundy and Nicolas Spierinc. Miniatures he painted in 1469 are in the J. Paul Getty Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Behind them a river winds past a walled town, castles on a hill and small sailing boats. A blue-grey border of silver-white acanthus and gold flowers holds a winged dragon, a helmeted man and a lion pinning a fallen man.\u003c\/p\u003e\u003cp\u003eThe original: a leaf from the Prayer Book of Charles the Bold, tempera colours, gold leaf, gold paint, silver paint and ink, written in Ghent and illuminated in Antwerp in 1469; J. Paul Getty Museum, Los Angeles.\u003c\/p\u003e\u003cp\u003eLieven van Lathem (about 1430–1493) was a Flemish illuminator, a member of the painters' guilds of Ghent and Antwerp, who worked for the dukes of Burgundy, Philip the Good and Charles the Bold. Influenced by Jan van Eyck and Dieric Bouts, he painted in fresh, intense colours with a lyrical naturalism, especially in his landscapes, and collaborated with the Master of Mary of Burgundy and Nicolas Spierinc. Miniatures he painted in 1469 are in the J. 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