{"title":"Louis Rhead Prints","description":"\u003cp\u003eFine art prints by Louis Rhead (American, 1857–1926). Every work in our Louis Rhead collection is printed to order. Louis Rhead's work belongs to Art Nouveau. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"louis-rhead-harper-s-bazar-thanksgiving-1894-vintage-thanksgiving-print","title":"Louis Rhead — Harper’s Bazar, Thanksgiving 1894 | Vintage Thanksgiving Print","description":"\u003cp\u003eA red-haired woman with white flowers and a white band in her hair carries a green woven-patterned dish heaped with orange fruit. She wears black sleeves patterned with orange flame-shaped motifs, an orange sash and a cream V-necked gown edged with beads. Behind her stand orange trees and rows of corn, with a winding orange-and-green stream and pomegranates among green leaves at lower left. 'Harper's Bazar' is lettered across the top and 'Thanksgiving 1894' along the foot, in a border of vines and berries.\u003c\/p\u003e\u003cp\u003eLouis Rhead (1857–1926) was an English-born American artist, illustrator and author. Born into a Staffordshire pottery family, he studied in Paris under Gustave Boulanger and at the National Art Training School in South Kensington, and worked for Minton and Wedgwood before moving to New York in 1883 as art director for the publisher D. Appleton. In the 1890s poster craze, influenced by Eugène Grasset, his work appeared regularly in Harper's, The Century, St. Nicholas and Scribner's, and in 1895 he won a gold medal at the first International Poster Show in Boston. He later illustrated children's classics and wrote American Trout-Stream Insects (1916).\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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The masthead is lettered in black with icicles hanging from the capitals, and the tagline 'The Ideal Magazine for Young Folks' runs in red beneath it. A cream panel at centre, headed 'The Beautiful Christmas Number', lists the issue's contents, while sprigs of holly with red berries spread across the ground. At lower right two red bound volumes stand above a scatter of monthly issues beside the credit 'Published by The Century Co.'\u003c\/p\u003e\u003cp\u003eThe original: a colour lithograph poster, 1895, Boston Public Library.\u003c\/p\u003e\u003cp\u003eLouis Rhead (1857–1926) was an English-born American artist, illustrator and author. Born into a Staffordshire pottery family, he studied in Paris under Gustave Boulanger and at the National Art Training School in South Kensington, and worked for Minton and Wedgwood before moving to New York in 1883 as art director for the publisher D. Appleton. 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The kitchen holds a hearth with a hanging pot, pewter plates on a shelf, a wall clock and diamond-patterned tiles in brown, teal and cream. Lettering names Pearline washing compound; signed Louis Rhead at the lower left.\u003c\/p\u003e\u003cp\u003eLouis Rhead (1857–1926) was an English-born American artist, illustrator and author. Born into a Staffordshire pottery family, he studied in Paris under Gustave Boulanger and at the National Art Training School in South Kensington, and worked for Minton and Wedgwood before moving to New York in 1883 as art director for the publisher D. Appleton. In the 1890s poster craze, influenced by Eugène Grasset, his work appeared regularly in Harper's, The Century, St. Nicholas and Scribner's, and in 1895 he won a gold medal at the first International Poster Show in Boston. 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She looks down at an orange-covered book held open in both hands. Red capital lettering across a deep blue panel at the right names the magazine and its June number, beside a column of large yellow roses climbing a green stem. The artist's name is lettered at the lower left.\u003c\/p\u003e\u003cp\u003eLouis Rhead (1857–1926) was an English-born American artist, illustrator and author. Born into a Staffordshire pottery family, he studied in Paris under Gustave Boulanger and at the National Art Training School in South Kensington, and worked for Minton and Wedgwood before moving to New York in 1883 as art director for the publisher D. Appleton. In the 1890s poster craze, influenced by Eugène Grasset, his work appeared regularly in Harper's, The Century, St. Nicholas and Scribner's, and in 1895 he won a gold medal at the first International Poster Show in Boston. 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Her yellow gown has huge puffed sleeves printed with coral leaf shapes and a dark blue bodice scrolled in light blue. Lower left, a red palette and a spray of brushes rest on a blue ledge among green foliage and coral blooms. Hand-lettered black and red titling names the calendar and its publisher, and a banded border in green, blue, yellow and red surrounds the sheet.\u003c\/p\u003e\u003cp\u003eLouis Rhead (1857–1926) was an English-born American artist, illustrator and author. Born into a Staffordshire pottery family, he studied in Paris under Gustave Boulanger and at the National Art Training School in South Kensington, and worked for Minton and Wedgwood before moving to New York in 1883 as art director for the publisher D. Appleton. In the 1890s poster craze, influenced by Eugène Grasset, his work appeared regularly in Harper's, The Century, St. Nicholas and Scribner's, and in 1895 he won a gold medal at the first International Poster Show in Boston. He later illustrated children's classics and wrote American Trout-Stream Insects (1916).\u003c\/p\u003e\u003cp\u003eEach print is made to our \u003ca href=\"\/pages\/archival-museum-standards\"\u003eArchival Museum Standards\u003c\/a\u003e: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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