{"title":"Old Age","description":"\u003cp\u003eRembrandt's old woman at prayer, Gauguin's old man with a stick, Manet's reader, Larsson's mother, Sorolla's old man of Castile, a Tangier elder in a tasselled cap. Faces with the whole life written on them, painted by artists who found them more interesting than the young. Archival giclée prints on Hahnemühle paper, framed or unframed.\u003c\/p\u003e","products":[{"product_id":"gustave-dore-frontispiece-reading-the-tales-fairy-tale-illustration-print","title":"Gustave Doré — Frontispiece: Reading the Tales | Fairy Tale Illustration Print","description":"\u003cp\u003eAn elderly woman in a high-backed armchair reads aloud from a large open book, surrounded by seven children pressing close to see the pages. A boy leans over the chair back, a girl points at an illustration, and a small child on the woman's lap reaches across the page. On the floor a jointed harlequin doll sprawls beside a toy lamb on wheels and a wooden block; at the left a miniature toy theatre stands propped against the wall.\u003c\/p\u003e\u003cp\u003eGustave Doré (1832–1883) was a French illustrator, painter and sculptor from Strasbourg, and the most prolific and widely reproduced book illustrator of the nineteenth century. Largely self-taught, he was publishing caricatures in Paris at fifteen, and from the late 1850s his wood-engraved plates for Dante's Inferno (1861), Perrault's fairy tales (1862), Cervantes, Milton, the Bible (1866) and Poe's The Raven (1884) fixed the look of those books for generations of readers. Engraved by a workshop led by Héliodore Pisan and Adolphe Pannemaker, his designs combine minute detail with theatrical light, vast landscapes and crowds of figures. 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