{"title":"Pamela Colman Smith Prints","description":"\u003cp\u003eFine art prints by Pamela Colman Smith. Every work in our Pamela Colman Smith collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"pamela-colman-smith-sans-gene-theatre-illustration-print","title":"Pamela Colman Smith — Sans Gêne | Theatre Illustration Print","description":"\u003cp\u003eA red-haired woman in a grey top hat leans forward and sweeps both arms out to the left, head tilted over one shoulder with a smile. She wears a green spencer with long sleeves, a black stock at the throat and a pale yellow high-waisted gown whose train pools to the right, green lining showing at the hem. A boxed title, Sans Gêne, sits at the top; the artist's monogram at the left; beneath her feet runs a handwritten line of stage directions and the name Ellen Terry.\u003c\/p\u003e\u003cp\u003ePamela Colman Smith (1878–1951) was an artist, illustrator and writer, born in London to American parents and raised partly in Jamaica. She studied at the Pratt Institute in Brooklyn under Arthur Wesley Dow, then worked in London with the Lyceum Theatre company on costumes and sets and ran the Green Sheaf Press. In 1907 Alfred Stieglitz gave her the first exhibition of paintings at his gallery 291. Through W. B. Yeats she joined the Hermetic Order of the Golden Dawn, and in 1909 Arthur Edward Waite commissioned her to design the Rider-Waite-Smith tarot, one of the most widely used decks. She died in Cornwall, in debt. 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Behind him a dark-haired lady in a flowing pale yellow gown, a flame-orange scarf looped round her arms, stands with hands folded. A striped green hanging fills the left, and through a grey arch a red castle rises on a green hill above blue water. The artist's monogram sits lower left.\u003c\/p\u003e\u003cp\u003eThe original: colour plate from In Chimney Corners, 1899; the copy reproduced is held by the New York Public Library.\u003c\/p\u003e\u003cp\u003ePamela Colman Smith (1878–1951) was an artist, illustrator and writer, born in London to American parents and raised partly in Jamaica. She studied at the Pratt Institute in Brooklyn under Arthur Wesley Dow, then worked in London with the Lyceum Theatre company on costumes and sets and ran the Green Sheaf Press. In 1907 Alfred Stieglitz gave her the first exhibition of paintings at his gallery 291. Through W. B. 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A flat-brimmed hat with a black plume streaming back to the left sits over her coiled light auburn hair; a high-collared grey jacket reaches her hips above a long skirt that pools at the hem, and a long shaggy wrap trails from the crook of her arm. Smith's monogram stands at the left, and her own lettering at lower right gives the title and the date, 1900.\u003c\/p\u003e\u003cp\u003ePamela Colman Smith (1878–1951) was an artist, illustrator and writer, born in London to American parents and raised partly in Jamaica. She studied at the Pratt Institute in Brooklyn under Arthur Wesley Dow, then worked in London with the Lyceum Theatre company on costumes and sets and ran the Green Sheaf Press. In 1907 Alfred Stieglitz gave her the first exhibition of paintings at his gallery 291. Through W. B. Yeats she joined the Hermetic Order of the Golden Dawn, and in 1909 Arthur Edward Waite commissioned her to design the Rider-Waite-Smith tarot, one of the most widely used decks. 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