{"title":"Paul Cezanne Prints","description":"\u003cp\u003eFine art prints by Paul Cezanne (French, 1839–1906). Every work in our Paul Cezanne collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"paul-cezanne-madame-cezanne-in-a-red-dress-fine-art-print","title":"Paul Cezanne — Madame Cezanne in a Red Dress | Fine Art Print","description":"\u003cp\u003eA woman in a heavy red dress sits upright in a yellow patterned armchair, her hands folded together in her lap. Her dark hair is parted and pulled back. Behind her, a blue-green wall meets a patterned hanging with a gold-and-green leaf motif at the upper right. The paint is built in flat, hatched strokes of red, blue-green and ochre.\u003c\/p\u003e\u003cp\u003ePaul Cezanne (1839–1906) was a French painter who bridged Impressionism and twentieth-century modernism. 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At right a white plate holds a stack of long pale biscuits. A white cloth with a faint pink stripe spills across the wooden table, and apples roll loose over it and along the tabletop toward a single yellow-red apple at the right. The signature 'P. Cezanne' is painted in dark brown at lower left.\u003c\/p\u003e\u003cp\u003eThe Basket of Apples was the first of Cezanne's works to enter the collection of the Art Institute of Chicago. The museum points to its shifts in reality: a misaligned tabletop, a tilted bottle and a stack of langues de chat biscuits that stops just short of falling. Because Cezanne rarely signed his paintings, the museum reads the signature as a sign of the importance he gave this canvas or its first owner.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, about 1893, Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003ePaul Cezanne (1839–1906) was a French painter who bridged Impressionism and twentieth-century modernism. 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His head is bowed and he wears a heavy dark moustache, and a white shirt cuff shows at his wrist. Behind him the wall is painted in pale grey-white, with a blue-grey vertical band at right. The jacket is built from patches of brown, ochre and grey.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1890–92, Musée d'Orsay, Paris.\u003c\/p\u003e\u003cp\u003ePaul Cezanne (1839–1906) was a French painter who bridged Impressionism and twentieth-century modernism. He trained briefly at the Académie Suisse in Paris and exhibited with the Impressionists in 1874 and 1877 before withdrawing to work in relative isolation around his native Aix-en-Provence. His landscapes, still lifes and studies of bathers and of Mont Sainte-Victoire build form from patches of colour rather than line, an approach that directly shaped Cubism and much of the painting that followed him. His work is held by the Musée d'Orsay, the Metropolitan Museum of Art and the Barnes Foundation.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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Beneath them two groups of bathing women sit, kneel and recline on an ochre bank, some bending toward a strip of blue water where a single swimmer floats. On the far bank a small standing figure and a second pale figure beside it are set before a line of trees, with a tower with a pointed roof at left. The figures are drawn with blue contour lines over pale flesh tones.\u003c\/p\u003e\u003cp\u003eThe Philadelphia Museum of Art describes it as the largest and the last of the canvases in which Cezanne returned across his career to bathers in a landscape, and it was left unfinished. Painted in Aix-en-Provence, it stayed in the artist's estate until his son sold it to Ambroise Vollard in 1907, and later belonged to Auguste Pellerin. The City of Philadelphia bought it with the W. P. Wilstach Fund in 1937.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1900–1906, Philadelphia Museum of Art.\u003c\/p\u003e\u003cp\u003ePaul Cezanne (1839–1906) was a French painter who bridged Impressionism and twentieth-century modernism. He trained briefly at the Académie Suisse in Paris and exhibited with the Impressionists in 1874 and 1877 before withdrawing to work in relative isolation around his native Aix-en-Provence. His landscapes, still lifes and studies of bathers and of Mont Sainte-Victoire build form from patches of colour rather than line, an approach that directly shaped Cubism and much of the painting that followed him. His work is held by the Musée d'Orsay, the Metropolitan Museum of Art and the Barnes Foundation.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. 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