{"title":"Pierre-Joseph Redouté Prints","description":"\u003cp\u003eFine art prints by Pierre-Joseph Redouté. Every work in our Pierre-Joseph Redouté collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"pierre-joseph-redoute-les-liliacees-strelitzia-reginae-botanical-illustration-print","title":"Pierre-Joseph Redouté — Les Liliacées: Strelitzia reginae | Botanical Illustration Print","description":"\u003cp\u003eA single bird-of-paradise flower crowns a long green stalk that bends sharply beneath it. From a green, pink-edged sheath rise pointed orange-yellow sepals, with arrow-shaped blue petals tucked among them. Below, the flower is taken apart in numbered figures: one bloom on its white base, a blue petal with its stamens, a pale cluster of stamens tipped with lilac, a thread-fine filament and a tapering brown sheath. The plate is a stipple engraving printed in colour from Les Liliacées.\u003c\/p\u003e\u003cp\u003ePierre-Joseph Redouté (1759–1840) was a botanical painter, born in Saint-Hubert in present-day Belgium, who worked in Paris. The botanist Charles-Louis L'Héritier de Brutelle taught him to dissect and draw plants precisely, and Gerard van Spaendonck at the Jardin du Roi shaped his watercolour. Draughtsman to Queen Marie-Antoinette, he worked on through the Revolution, and from 1798 the Empress Joséphine was his patron, with the plants of her garden at Malmaison as his subject. His watercolours were published as colour stipple engravings, above all in Les Liliacées and Les Roses, whose plates were framed as pictures and copied onto porcelain. His work is held by the Metropolitan Museum of Art, the Cleveland Museum of Art and the Los Angeles County Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Above them, buds streaked yellow and orange-red rise on bristly stalks, and a small pink bud points to the right. Toothed blue-green leaflets fan out along the branches, and a single orange hip is set apart at lower left. The plate is a stipple engraving printed in colour from Les Roses.\u003c\/p\u003e\u003cp\u003ePierre-Joseph Redouté (1759–1840) was a botanical painter, born in Saint-Hubert in present-day Belgium, who worked in Paris. The botanist Charles-Louis L'Héritier de Brutelle taught him to dissect and draw plants precisely, and Gerard van Spaendonck at the Jardin du Roi shaped his watercolour. Draughtsman to Queen Marie-Antoinette, he worked on through the Revolution, and from 1798 the Empress Joséphine was his patron, with the plants of her garden at Malmaison as his subject. His watercolours were published as colour stipple engravings, above all in Les Liliacées and Les Roses, whose plates were framed as pictures and copied onto porcelain. 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Round buds in pink and green sit around the edge of the cluster. Broad, finely veined leaves grow along the stem, which carries reddish bristles at its joints. The plate is a stipple engraving from Les Roses, engraved by Langlois.\u003c\/p\u003e\u003cp\u003ePierre-Joseph Redouté (1759–1840) was a botanical painter, born in Saint-Hubert in present-day Belgium, who worked in Paris. The botanist Charles-Louis L'Héritier de Brutelle taught him to dissect and draw plants precisely, and Gerard van Spaendonck at the Jardin du Roi shaped his watercolour. Draughtsman to Queen Marie-Antoinette, he worked on through the Revolution, and from 1798 the Empress Joséphine was his patron, with the plants of her garden at Malmaison as his subject. His watercolours were published as colour stipple engravings, above all in Les Liliacées and Les Roses, whose plates were framed as pictures and copied onto porcelain. 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