{"title":"Raphael Prints","description":"\u003cp\u003eFine art prints by Raphael. Every work in our Raphael collection is printed to order. All chosen by hand, with free shipping and import duties covered.\u003c\/p\u003e","products":[{"product_id":"raphael-bindo-altoviti-fine-art-print","title":"Raphael — Bindo Altoviti | Fine Art Print","description":"\u003cp\u003eA young man with long waved blond hair turns to look back over his shoulder, one hand raised to his chest, wearing a flat black beret and a blue mantle draped over a dark doublet. His pale skin is set against a plain dark-green ground, with a scalloped ecru chemise visible at the neckline. The three-quarter turn of the head and direct gaze are unusual for a male portrait of the period.\u003c\/p\u003e\u003cp\u003eRaphael painted the Florentine banker Bindo Altoviti in Rome around 1512–1515, giving him an informal, twisting pose unusual for a male sitter of the period. The portrait descended through the Altoviti family until 1808, when it passed to Ludwig I of Bavaria and entered Munich's Alte Pinakothek. Removed from Germany in 1936 amid a dispute over its attribution, it was later acquired for the Samuel H. Kress collection and given to the National Gallery of Art, Washington, D.C., where it remains.\u003c\/p\u003e\u003cp\u003eRaphael (1483–1520) was, with Leonardo and Michelangelo, one of the three masters of the Italian High Renaissance. Trained in Urbino and Perugia under Perugino, he absorbed Florentine drawing in his early twenties and from 1508 worked in Rome for Julius II and Leo X, painting the Vatican Stanze and, in the School of Athens, the clearest statement the Renaissance made about its own ambitions. His portraits are direct and unhurried, his Madonnas the model that European painting copied for three centuries. His work is held by the Vatican Museums, the Uffizi, the National Gallery, London and the Prado.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. Ships worldwide with free delivery to 30+ countries.\u003c\/p\u003e","brand":"9ArtPrints","offers":[{"title":"Unframed - Hahnemühle Paper \/ Accent - 12x18 in \/ 30x45 cm","offer_id":54108779905338,"sku":"PRE-RAPBIN-UNFACC-RU7Q","price":165.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":54108779970874,"sku":null,"price":220.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Statement - 24x32 in \/ 60x80 cm","offer_id":54108780003642,"sku":null,"price":275.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":54108780036410,"sku":null,"price":385.0,"currency_code":"CAD","in_stock":true},{"title":"Unframed - Hahnemühle Paper \/ Collector's Edition - 40x60 in \/ 100x150 cm","offer_id":54108780069178,"sku":null,"price":1155.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Accent - 12x18 in \/ 30x45 cm","offer_id":54108780101946,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":54108780134714,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Statement - 24x32 in \/ 60x80 cm","offer_id":54108780167482,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Piano Black \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":54108780200250,"sku":null,"price":1620.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Accent - 12x18 in \/ 30x45 cm","offer_id":54108780233018,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":54108780265786,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Statement - 24x32 in \/ 60x80 cm","offer_id":54108780298554,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Oyster White \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":54108780331322,"sku":null,"price":1620.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Accent - 12x18 in \/ 30x45 cm","offer_id":54108780364090,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":54108780396858,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Statement - 24x32 in \/ 60x80 cm","offer_id":54108780429626,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Natural Oak \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":54108780462394,"sku":null,"price":1620.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Accent - 12x18 in \/ 30x45 cm","offer_id":54108780495162,"sku":null,"price":460.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Showpiece - 18x24 in \/ 45x60 cm","offer_id":54108780527930,"sku":null,"price":635.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Statement - 24x32 in \/ 60x80 cm","offer_id":54108780560698,"sku":null,"price":810.0,"currency_code":"CAD","in_stock":true},{"title":"Framed - Brown Walnut \/ Masterpiece - 30x40 in \/ 75x100 cm","offer_id":54108780593466,"sku":null,"price":1620.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/6920\/3514\/files\/clean-main_95a6e0a0-c321-4eee-ad45-db12c0eb1308.jpg?v=1790114084"},{"product_id":"raphael-the-three-graces-fine-art-print","title":"Raphael — The Three Graces | Fine Art Print","description":"\u003cp\u003eThree women stand close together on a low rise, their arms linked across one another's shoulders, the one in the centre seen from behind and the other two turned toward her. Each holds a dark red sphere in a raised hand. The centre and right-hand women wear red bead necklaces, and a sheer cloth crosses the hips of the one at the left. Behind them are a pale lake and blue hills under a clear sky, with brown earth below.\u003c\/p\u003e\u003cp\u003eChantilly's own text says Raphael painted the Three Graces after an ancient marble. His composition changed as he worked: the figures first read as the Judgment of Paris, with the left figure holding an apple, and he then turned them into the Hesperides, who give apples that confer immortality. The panel belongs to the Musée Condé, which the duc d'Aumale founded through his 1886 donation to the Institut de France.\u003c\/p\u003e\u003cp\u003eRaphael (1483–1520) was, with Leonardo and Michelangelo, one of the three masters of the Italian High Renaissance. Trained in Urbino and Perugia under Perugino, he absorbed Florentine drawing in his early twenties and from 1508 worked in Rome for Julius II and Leo X, painting the Vatican Stanze and, in the School of Athens, the clearest statement the Renaissance made about its own ambitions. His portraits are direct and unhurried, his Madonnas the model that European painting copied for three centuries. His work is held by the Vatican Museums, the Uffizi, the National Gallery, London and the Prado.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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The Child, standing on her lap with a foot on the blue skirt, hugs her around the neck and looks toward us, while she lowers her gaze and steadies his foot and thigh. A hill town with a domed church rises at the right, a lake and trees lie at the left, and faint halos ring both heads.\u003c\/p\u003e\u003cp\u003eThe National Gallery of Art's provenance shows the 3rd Earl Cowper buying it in Florence about 1780, after which it descended at Panshanger near Hertford until Lady Desborough, a granddaughter of the 6th Earl, sold it in 1913 to Duveen Brothers. Peter A. B. Widener bought it in 1914, and Joseph Widener's gift from his estate brought it to the National Gallery in 1942.\u003c\/p\u003e\u003cp\u003eThe original: oil on panel, c. 1505; National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eRaphael (1483–1520) was, with Leonardo and Michelangelo, one of the three masters of the Italian High Renaissance. Trained in Urbino and Perugia under Perugino, he absorbed Florentine drawing in his early twenties and from 1508 worked in Rome for Julius II and Leo X, painting the Vatican Stanze and, in the School of Athens, the clearest statement the Renaissance made about its own ambitions. His portraits are direct and unhurried, his Madonnas the model that European painting copied for three centuries. His work is held by the Vatican Museums, the Uffizi, the National Gallery, London and the Prado.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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A broad black beret covers his head, and a heavy grey fur-lined mantle lies over a dark doublet, with a white shirt billowing at his chest. His hands are folded at the lower edge. The ground is a plain, warm grey-brown, and the weave of the canvas shows through the thin paint.\u003c\/p\u003e\u003cp\u003eRaphael painted his friend Baldassare Castiglione, the writer and diplomat, in Rome around 1514-15; it is one of only two Raphael paintings on canvas. Louis XIV acquired it from Cardinal Mazarin's heirs in 1665, and it is now in the Louvre. Rembrandt drew on its pose for his own self-portraits, and Ingres on it for his portrait of Monsieur Bertin.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, c. 1514-15; Musée du Louvre, Paris.\u003c\/p\u003e\u003cp\u003eRaphael (1483–1520) was, with Leonardo and Michelangelo, one of the three masters of the Italian High Renaissance. 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