{"title":"Shitao Prints","description":"\u003cp\u003eFine art prints by Shitao. Every work in our Shitao collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"shitao-wilderness-colors-blue-peaks-and-a-hillside-hamlet-chinese-ink-painting-art-print","title":"Shitao — Wilderness Colors (Blue Peaks and a Hillside Hamlet) | Chinese Ink Painting Art Print","description":"\u003cp\u003eBlue-tipped peaks rise above bands of white mist, and a wooded mountain of grey-green ink strokes climbs on the right, a thin stream threading down behind a cluster of tiled houses. Pines, bare-branched trees and leafy shrubs crowd the foreground bank, where dark rocks edge a stretch of pale open water. Shitao's poem is brushed at the upper left with his signature and a red seal, and collectors' seals sit along the right edge. A leaf from his album Wilderness Colors, about 1700.\u003c\/p\u003e\u003cp\u003eThe original: album leaf, ink and colour on paper, about 1700, The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eShitao (1642–1707), born Zhu Ruoji into the Ming imperial clan in Guangxi, escaped the fall of the dynasty as a child and had become a Buddhist monk by 1651. He lived in Anhui, Nanjing and Yangzhou, spent some years in Beijing seeking patronage, and in 1693 turned to Daoism and settled in Yangzhou, where he died. He painted landscapes, flowers and figures in many manners, treating earlier styles as a starting point rather than a model, and in his Comments on Painting wrote of the single brushstroke as the root of painting. With Bada Shanren he is counted among the Individualist painters of the early Qing. His work, including Wilderness Colors, is held by the Metropolitan Museum of Art and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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He painted landscapes, flowers and figures in many manners, treating earlier styles as a starting point rather than a model, and in his Comments on Painting wrote of the single brushstroke as the root of painting. With Bada Shanren he is counted among the Individualist painters of the early Qing. His work, including Wilderness Colors, is held by the Metropolitan Museum of Art and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Behind it, ochre peaks touched with dark moss dots rise into a grey sky. Below the mist a dense stand of dark green pines with orange-streaked trunks crowds the foreground, and a pale winding track climbs between them. Two red seals sit at the upper right and one at the lower right. A leaf from the album Reminiscences of Qinhuai River.\u003c\/p\u003e\u003cp\u003eThe original: album leaf, ink and colour on paper, Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eShitao (1642–1707), born Zhu Ruoji into the Ming imperial clan in Guangxi, escaped the fall of the dynasty as a child and had become a Buddhist monk by 1651. He lived in Anhui, Nanjing and Yangzhou, spent some years in Beijing seeking patronage, and in 1693 turned to Daoism and settled in Yangzhou, where he died. He painted landscapes, flowers and figures in many manners, treating earlier styles as a starting point rather than a model, and in his Comments on Painting wrote of the single brushstroke as the root of painting. 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