{"title":"Thomas Cole Prints","description":"\u003cp\u003eFine art prints by Thomas Cole (English-born American, 1801–1848). Every work in our Thomas Cole collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"thomas-cole-the-titans-goblet-fine-art-print","title":"Thomas Cole — The Titan's Goblet | Fine Art Print","description":"\u003cp\u003eA massive stone-and-moss goblet rises from a rocky mountain ledge, its wide bowl brimming with water that spills over the rim in several thin waterfalls down the stem and base. Tiny buildings, trees and small sailing boats sit along the shoreline inside the bowl. Below, a chain of brown mountain peaks recedes toward a pale pink and blue sky where a pale sun hangs well above the horizon.\u003c\/p\u003e\u003cp\u003eThomas Cole (1801–1848) was an English-born American painter, largely self-taught, who founded the Hudson River School of landscape painting. 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In the foreground a boy in a red jacket and blue-grey trousers carries a spade over one shoulder down a dirt path, while further back a seated man in a blue coat rests beside a wicker basket among freshly cut tree stumps. Two slender birches lean together at centre, and layered blue mountain ridges recede under a soft pink sky.\u003c\/p\u003e\u003cp\u003eThomas Cole (1801–1848) was an English-born American painter, largely self-taught, who founded the Hudson River School of landscape painting. He emigrated to the United States as a teenager, worked as an engraver and portraitist before turning to landscape, and settled in Catskill, New York, in 1825. He is known for allegorical cycles such as The Course of Empire (1833–36) and The Voyage of Life (1842), and for single works including The Oxbow (1836) and The Titan's Goblet (1833). 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Autumn foliage in red, orange and yellow crowds the cliffside and far bank, with smoke or mist rising from the base of the falls. The river below runs calm and pale between the wooded gorge walls.\u003c\/p\u003e\u003cp\u003eCole visited Niagara Falls in May 1829 and composed this autumnal, romanticized view the following year, leaving out the factories, hotels and viewing platforms already built at the site. The Art Institute of Chicago, which holds the painting, notes that while it registers Cole's unease about industrial development, it also omits the region's Haudenosaunee, Attiwonderonk and Wenrohronon inhabitants, reducing the two Native figures at centre to a picturesque device.\u003c\/p\u003e\u003cp\u003eThomas Cole (1801–1848) was an English-born American painter, largely self-taught, who founded the Hudson River School of landscape painting. 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