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A woman in a white outer robe patterned with grey floral roundels draws the robe up over her head with both hands, a red-and-pink checked under-robe showing beneath. She stands among tall pampas grass and white flowers with teal leaves, where a dark bird perches at the right. The series title and plate name are inscribed in a panel at the upper right.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. 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