{"title":"Uemura Shōen Prints","description":"\u003cp\u003eFine art prints by Uemura Shōen (Japanese, 1875–1949). Every work in our Uemura Shōen collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"uemura-shoen-spring-fine-art-print","title":"Uemura Shōen — Spring | Fine Art Print","description":"\u003cp\u003eA woman turns to look back over her shoulder against a plain grey ground. A pale lilac cloth is folded over her hair, pinned with a comb and a white-headed pin trailing fine chains, and a long pale pin juts out to the left. Her black outer robe opens over a scarlet under-robe printed with gold peony sprays, a white collar at her neck. A pale blue umbrella rises at the lower left, its ribs and tips visible, and white petals drift near the upper left. The brushed signature and one red seal are at the right.\u003c\/p\u003e\u003cp\u003eUemura Shōen (1875–1949) was a Japanese painter who worked in nihonga, the modern Japanese style of ink and mineral pigment on silk and paper, and who made the bijin-ga — the painting of beautiful women — her life's subject in a genre that had been almost entirely male. Born in Kyoto, she studied under Suzuki Shōnen at the Kyoto Prefectural Painting School, then under Kōno Bairei from 1893 and Takeuchi Seihō after Bairei's death. Her women are drawn with an exact, unhurried line and set against wide expanses of bare silk, as in Flame (1918), Jo-no-mai (1936) and Sōshi-arai Komachi (1937). She was appointed an Imperial Household Artist in 1944 and in 1948 became the first woman to receive Japan's Order of Culture. Her paintings are held by the Tokyo National Museum, the National Museum of Modern Art, Tokyo, and the Shōhaku Art Museum in Nara.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Long black hair falls loose down her back from a red band patterned in gold. Silver-grey and gold leaves are scattered over the robe, and a blue-and-white dappled collar, a violet panel worked in gold scrollwork and a vermilion under-robe show at the opening. At the right a white candle burns on a tall brass stand against a plain cream ground; her signature and one red seal sit at the lower left.\u003c\/p\u003e\u003cp\u003eUemura Shōen (1875–1949) was a Japanese painter who worked in nihonga, the modern Japanese style of ink and mineral pigment on silk and paper, and who made the bijin-ga — the painting of beautiful women — her life's subject in a genre that had been almost entirely male. Born in Kyoto, she studied under Suzuki Shōnen at the Kyoto Prefectural Painting School, then under Kōno Bairei from 1893 and Takeuchi Seihō after Bairei's death. 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