{"title":"William Keith Prints","description":"\u003cp\u003eFine art prints by William Keith. Every work in our William Keith collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"william-keith-path-through-california-oaks-landscape-fine-art-print","title":"William Keith — Path through California Oaks | Landscape Fine Art Print","description":"\u003cp\u003eA pale dirt path climbs through dry golden grass toward a stand of dark green oaks on a hilltop. The largest oak rises at centre-right on a grey trunk, a smaller, rounder oak stands further up the slope on the left, and slender pale-trunked trees crowd the right edge. Beyond the hill a hazy blue ridge meets a light blue sky with small white clouds. Low blue-green shrubs dot the grass, and the canvas is signed W. Keith S.F. at lower right.\u003c\/p\u003e\u003cp\u003eWilliam Keith (1838–1911) was a Scottish-born American landscape painter. Born in Oldmeldrum, Aberdeenshire, he emigrated to New York in 1850, trained as a wood engraver and settled in San Francisco in 1859. He studied in Düsseldorf from 1869 and in Munich in 1883–85, and from 1872 was a close friend of John Muir, camping with him in the High Sierra. His early Sierra views were detailed and sunlit; later, drawing on the Barbizon painters, he turned to broad brushwork and dark, tonal, suggestive landscapes. Many of his paintings, including most of his small panels of the 1890s, burned in his studio in the 1906 earthquake and fire. His work is held by the Saint Mary's College Museum of Art and the Oakland Museum of California.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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A tall lone conifer stands on the grassy slope at left, a pale rocky knoll behind it, and a steep green mountainside closes the right side of the view. The foreground is a dark, rough meadow of boulders, brush and fallen branches in olive and brown. Above, the sky is a thin wash of cream and pale blue with faint pink streaks. Signed W. Keith at lower left.\u003c\/p\u003e\u003cp\u003eWilliam Keith (1838–1911) was a Scottish-born American landscape painter. Born in Oldmeldrum, Aberdeenshire, he emigrated to New York in 1850, trained as a wood engraver and settled in San Francisco in 1859. He studied in Düsseldorf from 1869 and in Munich in 1883–85, and from 1872 was a close friend of John Muir, camping with him in the High Sierra. His early Sierra views were detailed and sunlit; later, drawing on the Barbizon painters, he turned to broad brushwork and dark, tonal, suggestive landscapes. Many of his paintings, including most of his small panels of the 1890s, burned in his studio in the 1906 earthquake and fire. His work is held by the Saint Mary's College Museum of Art and the Oakland Museum of California.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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Beyond them the land falls away to a pale valley floor and blue hills under towering white and grey clouds, with a flock of dark birds wheeling across a break of sky. Leafy oaks and a tall wind-bent tree stand on the right, slender trees on the left, and fallen branches, a grey boulder and red flowers fill the foreground.\u003c\/p\u003e\u003cp\u003eWilliam Keith (1838–1911) was a Scottish-born American landscape painter. Born in Oldmeldrum, Aberdeenshire, he emigrated to New York in 1850, trained as a wood engraver and settled in San Francisco in 1859. He studied in Düsseldorf from 1869 and in Munich in 1883–85, and from 1872 was a close friend of John Muir, camping with him in the High Sierra. His early Sierra views were detailed and sunlit; later, drawing on the Barbizon painters, he turned to broad brushwork and dark, tonal, suggestive landscapes. Many of his paintings, including most of his small panels of the 1890s, burned in his studio in the 1906 earthquake and fire. His work is held by the Saint Mary's College Museum of Art and the Oakland Museum of California.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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To the right, pale-trunked trees glow yellow-green, and a patch of blue sky opens between the canopies. Right of centre two cattle, one white with a brown head and one red-brown, stand in a shallow pool, their reflections broken in the water, and tall grass fills the foreground. Signed W. Keith at lower right.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, Indianapolis Museum of Art at Newfields.\u003c\/p\u003e\u003cp\u003eWilliam Keith (1838–1911) was a Scottish-born American landscape painter. Born in Oldmeldrum, Aberdeenshire, he emigrated to New York in 1850, trained as a wood engraver and settled in San Francisco in 1859. He studied in Düsseldorf from 1869 and in Munich in 1883–85, and from 1872 was a close friend of John Muir, camping with him in the High Sierra. His early Sierra views were detailed and sunlit; later, drawing on the Barbizon painters, he turned to broad brushwork and dark, tonal, suggestive landscapes. 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