{"title":"William Robinson Leigh Prints","description":"\u003cp\u003eFine art prints by William Robinson Leigh. Every work in our William Robinson Leigh collection is printed to order. Archival giclée on Hahnemühle fine art paper. Free worldwide shipping.\u003c\/p\u003e","products":[{"product_id":"william-robinson-leigh-view-of-the-grand-canyon-of-the-yellowstone-landscape-fine-art-print","title":"William Robinson Leigh — View of the Grand Canyon of the Yellowstone | Landscape Fine Art Print","description":"\u003cp\u003eFrom a rocky ledge the eye drops into a deep canyon of salmon, rose and cream rock, with a white waterfall pouring into the gorge far upstream and a green-blue river winding below. A tall red rock spire topped with small trees rises at right, and dark pines cling to the slopes under a blue sky with white clouds. The painting is inscribed W. R. Leigh, N.Y., 1913 at lower right.\u003c\/p\u003e\u003cp\u003eWilliam Robinson Leigh (1866–1955) was an American painter of the Southwest and of Africa. Born in Berkeley County, West Virginia, he entered the Maryland Institute in Baltimore at fourteen and then trained at the Royal Academy in Munich, winning medals there between 1884 and 1892. In 1906 the Santa Fe Railway sent him west to paint the Grand Canyon, and Hopi and Navajo people became his principal subjects. In 1926 he travelled to Africa at Carl Akeley's invitation for the American Museum of Natural History, where he later painted diorama backgrounds for the Hall of African Mammals. His work is held by the Gilcrease Museum, which received his New York studio after his death, and the American Museum of Natural History.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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He wears a pale hat, a blue shirt, a brown leather vest and woolly white chaps, with a revolver at his hip and coils of rope at the saddle. A second rider fades into the dust behind him, and bleached branches and grey sagebrush scatter the hot yellow ground.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1914, Blanton Museum of Art.\u003c\/p\u003e\u003cp\u003eWilliam Robinson Leigh (1866–1955) was an American painter of the Southwest and of Africa. Born in Berkeley County, West Virginia, he entered the Maryland Institute in Baltimore at fourteen and then trained at the Royal Academy in Munich, winning medals there between 1884 and 1892. In 1906 the Santa Fe Railway sent him west to paint the Grand Canyon, and Hopi and Navajo people became his principal subjects. In 1926 he travelled to Africa at Carl Akeley's invitation for the American Museum of Natural History, where he later painted diorama backgrounds for the Hall of African Mammals. His work is held by the Gilcrease Museum, which received his New York studio after his death, and the American Museum of Natural History.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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A narrow gorge falls away in blue shadow at the centre, and a boulder in the foreground catches pale light. The painting is inscribed W. R. Leigh, N.Y., 1917 at lower left.\u003c\/p\u003e\u003cp\u003eWilliam Robinson Leigh (1866–1955) was an American painter of the Southwest and of Africa. Born in Berkeley County, West Virginia, he entered the Maryland Institute in Baltimore at fourteen and then trained at the Royal Academy in Munich, winning medals there between 1884 and 1892. In 1906 the Santa Fe Railway sent him west to paint the Grand Canyon, and Hopi and Navajo people became his principal subjects. In 1926 he travelled to Africa at Carl Akeley's invitation for the American Museum of Natural History, where he later painted diorama backgrounds for the Hall of African Mammals. 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