{"product_id":"abd-al-samad-attributed-shahnama-of-shah-tahmasp-the-assassination-of-khusrau-parviz-persian-miniature-art-print","title":"Abd al-Samad (attributed) — Shahnama of Shah Tahmasp: The Assassination of Khusrau Parviz | Persian Miniature Art Print","description":"\u003cp\u003eIn an alcove painted with blue-and-white animals and birds, a man in pale blue kneels over a king in orange on a blue mattress, a red wound at the king's chest. Below, attendants slump asleep in a heap on the green tiled floor. On a balcony to the right two figures pass a gold ewer, and a crescent moon hangs in the dark blue sky. Panels of verse sit above and below on a gold-flecked margin. The leaf comes from the Shahnama made for Shah Tahmasp in Tabriz.\u003c\/p\u003e\u003cp\u003eThe original: a folio from the Shahnama (Book of Kings) made for Shah Tahmasp, painted in opaque watercolor, ink, silver and gold on paper, Tabriz, Iran, about 1535. The Metropolitan Museum of Art, New York.\u003c\/p\u003e\u003cp\u003eAbd al-Samad was a Persian painter, born in Shiraz in the early sixteenth century, who trained in the royal workshop of Shah Tahmasp in Tabriz and painted for the Shah's illustrated Shahnama while still young. With Mir Sayyid Ali he was among the first artists to join the exiled Mughal emperor Humayun, and in India the two directed the Hamzanama, the vast illustrated story of Hamza that was the first great project of Akbar's painting workshop. He is counted among the founders of Mughal painting, and his work is held by the Metropolitan Museum of Art, the Los Angeles County Museum of Art and the Victoria and Albert Museum.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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