{"product_id":"aubrey-beardsley-le-morte-darthur-la-beale-isoud-at-joyous-gard-with-the-sundial-art-nouveau-illustration-print","title":"Aubrey Beardsley — Le Morte Darthur: La Beale Isoud at Joyous Gard (with the Sundial) | Art Nouveau Illustration Print","description":"\u003cp\u003eLa Beale Isoud, her hair piled in tall rolled coils, stands at the left of a garden grove in a cream gown whose long train, scattered with black spots, sweeps in a wide curve across the dark lawn. A six-sided sundial rises from a bed of flowers at the centre, and at the right a second woman in a loose gown reads from a small book beneath the trees. A wide black border of leafy stems and heavy pears frames this double-page scene from Malory's Le Morte Darthur.\u003c\/p\u003e\u003cp\u003eAubrey Beardsley (1872–1898) was an English illustrator, born in Brighton. Working as a clerk, he was encouraged by Edward Burne-Jones and took a few months of evening classes at the Westminster School of Art, his only formal training. In 1893 he began illustrating Malory's Le Morte Darthur, in 1894 he became art editor of The Yellow Book, and his drawings for Oscar Wilde's Salomé (1894) made him notorious. His black ink drawings drew on Japanese woodcuts and the curving line of Art Nouveau. After the Wilde scandal of 1895 he moved to The Savoy. He died of tuberculosis at 25. His drawings are held by the Victoria and Albert Museum, the Art Institute of Chicago and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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