{"product_id":"aubrey-beardsley-le-morte-darthur-merlin-taketh-the-child-arthur-into-his-keeping-art-nouveau-illustration-print","title":"Aubrey Beardsley — Le Morte Darthur: Merlin Taketh the Child Arthur into His Keeping | Art Nouveau Illustration Print","description":"\u003cp\u003eBeneath an apple tree heavy with round fruit, a stooping old man in a wrapped hood takes a swaddled baby from a hooded woman, while a tall figure with a crown of spiky hair holds a long draped cloth and two armoured men, one with a spear, look on at right. Rolling hills and a towered town lie beyond. A border of leaves and coiling winged dragons surrounds the scene, with the title lettered in a panel at lower left. It is a plate from Malory's Le Morte Darthur.\u003c\/p\u003e\u003cp\u003eAubrey Beardsley (1872–1898) was an English illustrator, born in Brighton. Working as a clerk, he was encouraged by Edward Burne-Jones and took a few months of evening classes at the Westminster School of Art, his only formal training. In 1893 he began illustrating Malory's Le Morte Darthur, in 1894 he became art editor of The Yellow Book, and his drawings for Oscar Wilde's Salomé (1894) made him notorious. His black ink drawings drew on Japanese woodcuts and the curving line of Art Nouveau. After the Wilde scandal of 1895 he moved to The Savoy. He died of tuberculosis at 25. His drawings are held by the Victoria and Albert Museum, the Art Institute of Chicago and the Cleveland Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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