{"product_id":"camille-pissarro-eglise-et-ferme-deragny-a-church-and-farm-at-eragny-fine-art-print","title":"Camille Pissarro — Eglise et ferme d'Éragny (A Church and Farm at Éragny) | Fine Art Print","description":"\u003cp\u003eA slender church spire rises above the pointed roofs and rounded trees of a village, set against a dark wooded ridge and a sky streaked with pink, yellow and blue. In the meadow below, a small herd of cows grazes and wanders, and two figures stand together on a path that climbs towards the buildings. The whole scene is drawn in fine hatched lines of yellow, rose, blue and brown. It is a colour etching with drypoint and aquatint, made in 1890.\u003c\/p\u003e\u003cp\u003eThe original: colour etching and drypoint with aquatint, 1890, National Gallery of Art, Washington.\u003c\/p\u003e\u003cp\u003eCamille Pissarro (1830–1903) was a painter and printmaker born on St Thomas in the Danish West Indies to a Jewish merchant family of French and Portuguese descent. He settled in France in 1855, where Camille Corot encouraged him to paint from nature, and worked for years around Pontoise and Louveciennes. He was the only artist to show in all eight Impressionist exhibitions. In his fifties he took up Georges Seurat's dotted technique for a time, and in the 1890s, when an eye infection kept him indoors, he painted series of Paris boulevards and gardens from hotel windows. Paul Cézanne and Paul Gauguin both worked beside him. His paintings are held by the Musée d'Orsay, the Metropolitan Museum of Art and the Art Institute of Chicago.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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